It's time to celebrate another memorable year in high-end audio. Each December since 1992, Stereophile has named a few special components its Products of the Year. These are components that not only define the present audio landscape, but that we hope will someday be seen as classics—things you'll want to pass on to future generations of audiophiles and music lovers.

And the winners are . . .

With the help of 20:20 hindsight, it looks as if I made a decision when I joined Stereophile: to review a loudspeaker from Wilson Audio Specialties every 11 years. In June 1991, I reported on Wilson's WATT 3/Puppy 2 combination, which cost $12,740/pair in an automotive gloss-paint finish. This was followed in July 2002 by my review of the Wilson Sophia ($11,700/pair). And now, in December 2013, I am writing about the Wilson Alexia, which costs a not-inconsiderable $48,500/pair.

Deadlines and the Dead don't mix. Let me explain . . .

Back when I was a cub reporter, green as ivy, I was, in retrospect, suckered into volunteering to review a Grateful Dead concert. I dutifully drove to the venue for the 8pm show, abstained from intoxicating substances, and was on track—until I realized that, after two hours, the band was still on just the third song. Jerry was deep into an epic, 2000-bar solo that was gaining rather than losing momentum. In Deadspeak, it was one of those nights.

It began innocently enough. In June, Slate.com published a sampling from an exhibit by the photographer Kai Schaefer, in which classic LPs of different eras were partnered with the similarly classic record players on which they might have been played: Tea for the Tillerman on a Dual 1219, Kind of Blue on a Rek-O-Kut Rondine, Sgt. Pepper's on a Thorens TD 124—you get the idea. The photos worked as cultural documents, as good-natured kitsch, as surprisingly beautiful and compelling industrial art. I was thoroughly charmed.

Over at The Quietus, Nick Southall speaks with mastering engineer Bob Katz about how iTunes Radio may soon put an end to The Loudness Wars. I direct your attention to the article partly because it's a good read and partly because, in hi-fi circles, we tend to think that young people don't care enough about sound quality; this article is a small bit of proof that there are in fact young people who know how to listen. Nick Southall, clearly as obsessed with music and sound as anyone, is two years younger than me. (And, in hi-fi years, I'm a child.)

Here's an especially good bit from Southall's article, Bob Katz speaking:

Jay Rein of Bluebird Music, the North American distributor for Spendor loudspeakers, has a cool, new idea. Collaborating with designers at Spendor, Rein developed retro-inspired grill for speakers in their Classic line up as well as for the Spendor S3/5R². Rein visited In Living Stereo in NYC last week for an evening of music and brie to show off the grills.