As the jazz buyer for Tower Records's Lincoln Center (66th St.) location in the early 1990s, I held a unique vantage point on New York City, its music and culture. My position guaranteed daily encounters with an eclectic variety of unforgettable characters. Between regular visits by the likes of Kareem Abdul-Jabbar (grouchy), Kathleen Turner (pushy), and Michael J. Fox (perpetually running from the store's female staff), I saw a lot.

Like many aging American music lovers, my earliest memories include watching the televised supernova that was The Beatles performing on The Ed Sullivan Show in 1964. Immersion in various British pop groups followed, including the melodically graceful Chad & Jeremy, the polished Peter and Gordon, and sentimental pop purveyors Gerry and the Pacemakers.

Rhino Records, Warner Music Group's back-catalog label, has jumped into the rarified niche of prerecorded reel-to-reel tapes. Under the Rhino High Fidelity brand, the first two titles were announced in October 2025: T. Rex's Electric Warrior and The Yes Album. Both are limited editions; no more than 500 tapes will be made and sold.

Once and forever iconoclast Vernon Reid, the Britain-born guitarist for iconic American band Living Colour, is perpetually in pursuit of sonic excellence, regardless the point of entry. "A lot of different things have attracted me—everything from gentle breeze to thunder and lightning," Reid told me during a recent Zoom interview.

Columbia Legacy has released Vol.18 of the Bob Dylan Bootleg Series. Through the Open Window covers the years 1956–1963. The collection is available as three physical sets: two-CD or four-LP "Highlights" versions that contain 42 tracks, and an eight-CD "Deluxe Edition Box Set" that contains 139 tracks and has a running time of 8 hours, 59 minutes.