Billy Hart: Multidirectional; John O'Gallagher: Ancestral; Thomas Strønen's Time Is A Blind Guide: Off Stillness; Peter McEachern Quintet: Streamin'.

M'a dit Amour, Julia Roset, soprano, Susan Manoff, piano; Ravel: Chamber Music, Nash Ensemble; Lalo | Bonis | Debussy | Ravel: Art Nouveau: French Chamber Music Around 1900, Trio Wanderer.

Salt Collective: A Brief History of Blindness; Geese: Getting Killed; Tame Impala: Deadbeat; Tortoise: Touch.

Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves. At every show I've heard them at, from Chicago to DC to Munich, they have done exactly that: Every system I've heard featuring a Doshi amp has delivered great sound. When I pressed him as to why, he just smiled.

Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.

Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band's hallowed recording catalog are unending.