Because Art Dudley is writing a Follow-Up review to Michael Fremer's take on the Audio Technica AT-ART1000 direct-power stereo MC phono cartridge ($4999), I shall replace lots of words with this blow-up of a cartridge whose coils sit at the tip of the cantilever, right over its diamond stylus.
Andrew Jones's first active speaker, the tri-amped Argo Series B51 ($2000/pair), offers 250W of class-AB power in the form of a 150W AB amplifier for the woofer, 70W AB amp for the midrange, and 30W class-A amp for the tweeter. The B51s can be used either wired or wirelessly, but need an external DAC, DAC-equipped server, or other device to produce sound from digital.
Both Andrew Jones, who designs Elac loudspeakers, and Peter Madnick, who is responsible for Elac's Alchemy series of components (the successors to the Audio Alchemy brand), were on hand to demonstrate a system that sounded equally wonderful on both of the "Red Book" files I heard there. I loved how beautifully this system captured the seductive midrange of David Roth's voice on "Before I Die" as it conveyed his music with captivating warmth and lovely layering. Timbres on Count Basie's 88 Basin Street were also natural and compelling.
Paired with the same Theta Gen. VIII DAC/preamp ($15,995)/Theta Compli Blu transport ($3995) combo and VPI Avenger reference turntable ($20,000) as in the SAE room, but with a TR phono cartridge ($7000) replacing the Zu, this room showcased CAT's brand new MBX 1250.2 FD XPR twin monoblock amplifier ($30,000), which outputs 1250Wpc in to 4 ohms, and MBX 320.2 FD ($10,000) twin monoblock amplifier, which outputs 320W into 8 ohms. The amps were driving a bi-amped pair of CAT loudspeakers, specifically voiced for this hotel room, which consisted of CAT MBX 900 Trinity satellites resting upon MBX Miramar subwoofers ($100,000/pair for all). Analog crossovers were employed, and the subs were dialed-in through a CAT MBX DSP8x8 digital signal processor ($15,000).
I spent some time listening to systems from two companies of which Brian Barr is President: SAE (Scientific Audio Electronics) and CAT (California Audio Technology). In the first, two SAE 2HP-D amplifiers ($20,000/each), which graced the cover of Stereophile when Michael Fremer reviewed the amp in the October 2016 issue, drove new bi-amped Eggleston Works 20th anniversary Limited Edition Andra Viginti speakers ($40,000/pair). Michael is currently reviewing these speakers, whose 4 ohm nominal impedance indicates that they were driven by a mere 1200Wpc of SAE power.
Etymotic's Albert Arends was showing four models of the company's earphones. The Etymotic ER3SE (Studio Edition$179) has a flatter response than the ER3XR (Extended Response$179), which has "a bit of a bass lift" in the 100Hz-1kHz region. One major difference between these models and the higher level ER4 SR (Studio Reference$349) and ER4XR (Extended Response$349) is that only the latter are channel-matched to within 1dB.
I really don't know the answer; I just know that loudspeaker company M&K says that's the case. I also know that the original Miller & Kreisel was founded in 1973 by music lovers who wanted to manufacture speakers good enough to do justice to recordings by Steely Dan. 35 years later, the company went bankrupt, and was relaunched shortly thereafter by new Danish investors who have a strong home theater orientation. For the past 10 years, the company's owner has been Lars Johansen, who spoke with me in their room in the Venetian Hotel.
This is hands down my favorite new "Concept of Show". Here is a small powered speaker coming out of Sweden that has some surprising tricks up its sleeve. You can see from the photo that these are not big speakers, but they have a unique method of overcoming this limitation.
Shown here is the new DeVore Fidelity Gibbon Super 9 ($9,900 pair) which falls in between the company's big Gibbon 10 3-way and the Gibbon 88 smaller 2-way floorstander.
Richard Vandersteen, hailing from Hanford, California, was on hand to show off his new creation, the M5-HPA monoblock amplifier. Vandersteen notes that this is a high-pass amplifier, not intended to go full-range, for a system that would also include a subwoofer. The selectable high pass settings are 20Hz, 40Hz, 80Hz, 100Hz or 200Hz. The 80 and 100 Hz settings are optimized to work with Vandersteen subwoofers.
"All products in the Heritage Series are built in the Klipsch factory in Hope Arkansas," the company's Kerry Geist begins. Klipsch has chosen to only demo the Heritage stuff here in the Venetian, with the bulk of their contemporary line back at the main convention center. And the room is quite crowded, so they clearly understand their demographic.
The wireless version of Audioengine's highly regarded A5+ loudspeakers ($499/pair in black or white, $569 in bamboo) uses aptX HD Bluetooth to transmit signals up to 24/48
With Dali and PSBnot to mention NAD and Bluesoundall distributed by Lenbrook, at CES the white Dali Callisto System active tower loudspeakers with SoundHub (target base price $5500/pair, available by early May) sat beside black PSB Imagine T3 speakers ($7499/pair). The Callisto system with SoundHub offers wireless HD audio transfer to the speakers, has numerous inputs including Bluetooth AptX-HD"you can connect anything" is the claimmultiple outputs, two modular expansion ports, auto sensing source select, and Bluetooth remote control.
Paul Barton of PSB was on hand to demonstrate the RoomFeel technology he uses in his headphones. "Headphone listeners listen to recorded music that was designed to be heard in a room," he said. Therefore, his RoomFeel technology adds a simulated room response to music.
Beautiful and warm sound, gorgeous midrange, absolutely quiet surfaces with silence between the notesthese were some of my impressions upon hearing Natalie Merchant's performance of "The Butcher's Boy," from the LP version of Kronos Quartet's Folk Songs, on this brightly backlit, hard to photograph system from Musical Surroundings.