AXPONA 2022

Elton John fans, forgive me. I've nothing against the man, but most of his songs do less for me than a nude painting does for a blind man (that is, we literally can't see the attraction). So it was fairly remarkable that, in the Focal demo room, the Dolby Atmos version of Elton John's "Rocket Man" made the hairs on the back of my neck stand up. If a high-end rig can put you in touch with music you normally don't even care about, it's time to investigate.

The AXPONA experience is head-spinning in more ways than one. So many rooms, so many people to meet, so much gear to listen to. And so much regret when you realize that you can't fit it all into two or three days, unless each day were to last as long as it does it on Mercury. (Maybe one day we'll have audio shows there—sign me up!)

Another head-spinner occurred Saturday morning when I had to almost forcibly drag myself off the listening couch in the 16th-floor Avantgarde Acoustic room, where dCS front-end gear and a pair of gargantuan Trio G3 horn speakers ($180,000) had bowled me over with perhaps the most heavenly, enveloping sound of the entire show. Why did I leave? Because I had an appointment at the Devialet room on the same floor to listen to...(drum roll) a Dolby Atmos soundbar.

After a few hours of listening to speakers that cost well into the five and six figures, how much enthusiasm could I muster for a pair that retails for just $995? As it turns out, a lot. I'd heard the $750/pair Magnepan LRS a few years ago and marveled at how low the admission price to true high-end sonics can be. They sounded fast, surefooted, and transparent. Magnepan's new LRS+ speakers offer more of the same but at an elevated level and a slightly elevated price. Wendell Diller, a.k.a. Mr. Magnepan, calls them "higher-resolution" speakers.

Valve Amplification Company electronics also appeared in the Euphoria room, hosted by The Audio Company, where I believe Von Schweikert's Damon Von Schweikert and Leif Swanson were in attendance.

"The road to the graveyard is littered with corpses of subwoofer companies that wanted to sell a range of regular speakers," Gary Yacoubian observes with a laugh. We're standing outside the SVS room at AXPONA while on yonder side of the door, a 7.2 SVS Dolby Atmos setup is testing the Renaissance hotel's structural soundness with an explosive fight scene from a Spiderman movie. Fittingly, Yacoubian is ready to, you know, rumble. His company has built a solid reputation by making and direct-selling excellent-value, powerful subwoofers and providing some of the friendliest pre- and post-sale service in the industry.

For huge sound in a huge room, you needed to look no further than the Schaumburg Renaissance Convention Center's Schaumburg F. Played at full volume, the momentous, quasi-apocalyptic opening of Richard Strauss's Also Sprach Zarathustra, aka the theme from 2001: A Space Odyssey, virtually knocked me back a row. Only the deep bass, which was eaten alive by the room's spongy air walls, suffered. Which means that the deepest organ pedals on the forthcoming superbly recorded 7-CD Strauss set from conductor Andris Nelsons (heard in 24/96) had about the same weight as on the hi-rez digital transfer of Fritz Reiner's famous RCA Living Stereo recording with the Chicago Symphony Orchestra.