AXPONA 2022

Sort By:  Post Date TitlePublish Date
Jason Victor Serinus  |  Apr 26, 2022  |  4 comments
The midrange stole the show in Philip O'Hanlon's On a Higher Note room as platter after platter delivered analog magic. Thanks to Graham Audio's LS8/1 speakers ($9700/pair with stands and spikes), the Moonriver 404 Reference integrated amplifier ($4995) with optional internal MM/MC phono stage ($550)-see my review here- Bergmann Audio's Modi air bearing turntable and Modi air-bearing linear-tracking tonearm ($17,000) with Hana ML cartridge ($1200) and Krion turntable platform ($4850), an Artesania Audio Exoteryc 3-level rack ($7300), and Cardas Audio Clear cabling, award-winning soprano Fatma Said's soft high notes floated wonderfully.
Jason Victor Serinus  |  Apr 26, 2022  |  3 comments
Much of the explanation zoomed by far too fast for one not trained in shorthand to record, but the surprisingly huge soundstage and impressive bass of a system variously introduced as "Everyman's Stereo" and "The Audiophile's Training Wheel System" made their mark. Streamed in 16/44.1 from Spotify, Joe Bonamassa's ""High Water Everywhere" sounded quite fine. Nor was this system shy when it came to delivering the edgy nastiness of Alice Cooper's "Welcome to my Nightmare."
Ken Micallef  |  Apr 26, 2022  |  1 comments
Industry veteran P.J. Zornosa and Vancouver, BC turntable designer John Stratton brought a compact system that made sublime sounds to one of Axpona's smaller rooms.
Ken Micallef  |  Apr 26, 2022  |  1 comments
I've been a fan of European Audio Team electronics since I reviewed the fantastic E.A.T. E-Glo I integrated amplifier in the December 2020 issue of Stereophile. Unfortunately, that mighty tube treat wasn't present at AXPONA, but Vana Ltd. importer, CTO Roy Feldstein, told me to chill. He had more E.A.T tricks up his sleeve.
Ken Micallef  |  Apr 26, 2022  |  9 comments
If you're like me, when attending audio shows you have your go-to joints, those rooms where the presentation will be engaging, the conversation interesting, and the good vibes effortless. Consistency frames the visit, like a homecoming where nothing has changed, where friends (and their hi-fis) welcome you. At the risk of sounding like a hawker, Credo Audio Switzerland—at Axpona's Nirvana B ballroom—has become one of my go-to joints.
Julie Mullins  |  Apr 25, 2022  |  0 comments
Discovering new products from new companies is one of the best parts about audio shows. As much as we enjoy seeing familiar industry faces and brands, it's also great to meet new ones.

Aretai was founded in 2018 by Janis Irbe, the technical designer, and Edgars Zvirgzdiņš, the product designer, who hail from Latvia. At AXPONA Aretai presented the 100S entry model from their inaugural Contra collection of loudspeakers.

Jason Victor Serinus  |  Apr 25, 2022  |  1 comments

It took until Saturday for the Dynaudio crew to find the right position for the Dynaudio Confidence 60 loudspeakers ($50,000/pair), but once they did, the towering and far-from-lightweight Octave Jubilee Mono SE tube amplifiers ($80,000/pair), paired with Octave's Jubilee preamp ($32,000) with stepped-attenuator volume control, ensured that this system would sing with captivating beauty.

Julie Mullins  |  Apr 25, 2022  |  1 comments
As MoFi Distribution is based in the Chicagoland area, it's no surprise they go all out at their hometown AXPONA. They packed the house with exhibits in four rooms featuring plenty of debuts, so I'll divvy my coverage into a couple of parts.

But first, some big news. Illustrious loudspeaker designer Andrew Jones, known for his work for Pioneer, ELAC, and other companies, has joined with MoFi Distribution. Word is, Andrew will be designing a speaker to round out MoFi's own system lineup.

Rogier van Bakel  |  Apr 25, 2022  |  1 comments
My first surprise of the day came when I squeezed what I thought was Colgate from a red-and-white tube onto my toothbrush. It turned out to be hydrocortisone cream, also from a red-and-white tube.

After that, I ventured out and got my second surprise, this one considerably more pleasant. In one of the third-floor Saturday Audio Exchange rooms, I encountered a new flagship Paradigm loudspeaker, the floorstanding Founder 120H ($8499/pair).

Rogier van Bakel  |  Apr 25, 2022  |  11 comments
When you're a critic, you get paid to quibble, so here's mine: Bowers & Wilkins' iconic 801 D4 speaker ($35,000/pair) is pretty enough in gloss black, but gorgeous in satin walnut. In the company's AXPONA room, I encountered only the black version.
Rogier van Bakel  |  Apr 24, 2022  |  0 comments
For two years now, pandemic-related supply-chain issues have racked (but not wrecked) the high-end industry. Things still aren't back to normal, and sometimes planned product launches have to be pushed back. Today, when I visited the room featuring Magico loudpeakers and Luxman electronics—see KM's report here—I found out we'll have to wait just a little longer for the next Magico speaker, but I can't imagine that anyone was disappointed when the company's Peter Mackay brought the M6s ($185,000/pair) to AXPONA. A known quantity they may be—the product was introduced five years ago—but I was whistling Eric Clapton's "Hello Old Friend" as soon as I saw them.
Rogier van Bakel  |  Apr 24, 2022  |  2 comments
The Germans have a great word to describe things that are insipid and inoffensive: salonfähig ("fit for the parlor"). On that note: How many Patricia Barber tracks can a man take? After two days at AXPONA, I craved some kickass rock 'n' roll. Green Day, Rammstein, Rage Against the Machine; the Rolling Stones or Led Zeppelin would do in a pinch. And fortunately, that's the scene I found in the JBL room. Unapologetic raucous rock emanated from the new 13"-tall JBL L52 bookshelf speakers ($995/pair), powered by a JBL SA750 Class-G streaming integrated amplifier ($3000).
Rogier van Bakel  |  Apr 24, 2022  |  0 comments
In search of beauty and excitement, I struck a lode on the fifth floor, where a pair of just-introduced, double-ported, full-range Revel 328Be speakers ($17,600) played in tandem with a spiffy Mark Levinson front end: the No 5101 streaming SACD player/DAC ($5500), the 5206 preamp ($9000), and the 5302 power amp (also $9000).
Ken Micallef  |  Apr 24, 2022  |  0 comments
A consistent player both at shows and in the hi-fi world, Linear Tube Audio's Nicholas Tolson brought smart, sparse rigs to two AXPONA rooms that played great music.
Rogier van Bakel  |  Apr 24, 2022  |  2 comments
When a brand that's rightly famous for world-class electrostatic panels wants to design a line of in-wall speakers, things can get pretty daunting. After all, electrostats are dipoles—sound flows from both the front and back. Installing a dipole in a wall is as useless as hanging a stained-glass window in a dark closet.

Pages

X