LATEST ADDITIONS

Twin Sister meets Twin Peaks in the video for “Kimmi in a Rice Field,” from the band’s charming, soulful, and often lovely debut full-length, In Heaven. Like a real dream, the video, directed by Bryan Ujueta and Dan Devine and starring vocalist Andrea Estella, is sort of beautiful, sort of creepy, and sort of ridiculous.

The apparent demise of Audio Alchemy left a niche in the marketplace for a supplier of innovative, high-value digital components to provide the less-than-wealthy audiophile with state-of-the-art technology. Although Camelot Technology existed before Audio Alchemy went away, they have quickly taken over this niche with some interesting components. And I understand that some of the former AA technical personnel consulted for Camelot in the development of these products. (A recent press release indicates that Genesis Technology also played a major role in their design.)

The Dragon Pro is, I believe, the most eagerly awaited of the Camelot products. Since the disappearance of Audio Alchemy's DTI•Pro 32, no comparable anti-jitter and resolution-enhancement product has come along to replace it. (Yes, there are simpler anti-jitter boxes, and there is the Genesis Digital Lens, but these are not truly comparable in approach.) Well, the Dragon is everything that the DTI•Pro 32 was, and more!

The Dragon Pro anti-jitter box offers both jitter reduction and resolution enhancement, along with I²S in/out. Considering the number of Web newsgroup ads from folks wanting to buy AA DTI•Pro 32s, this baby has a waiting market.

Stereophile editor John Atkinson has been honored by being invited to give the Richard C. Heyser Memorial Lecture at the 131st Audio Engineering Society Convention, held at the Jacob Javits Center in Manhattan. The Memorial Lecture was established in May 1999 to honor the memory of the famed audio theorist, engineer, reviewer, scientist at the Jet Propulsion Laboratory, inventor of Time Delay Spectrometry, and AES Silver Medal recipient. The Memorial Lecture has previously honored Ray Dolby, recording engineer Phil Ramone, futurist Ray Kurzweil, mathematicians Manfred Schroeder and Stanley Lipshitz, film sound pioneer and editor Walter Murch, Andy Moorer of Sonic Solutions and Adobe, Roger Lagadec, Kees Schouhamer Imminck, who developed the optical data-reading technology used in the CD, and acoustician Leo Beranek. The lecture will be at 7pm on Friday, October 21. The Convention program and details can be found here.

While August 29 was officially the day the State of Connecticut honored Sennheiser Electronic Corporation, the celebrations the US subsidiary of the German headphone and microphone manufacturer had planned were postponed, thanks to Hurricane Irene. But Tuesday, September 20 saw journalists converging on the company's headquarters in shoreline town of Old Lyme—"conveniently located midway between New York and Boston," according to company president John Falcone, pictured above—to take part in the delayed event. "This recognition celebrates Sennheiser's vital role in the business community, as well as the talented and passionate employees who are essential to its success," stated Governor Dannel P. Malloy in an official document that proclaimed August 29, 2011 as Sennheiser Electronic Corporation Day.

It says something for the state of technology that, after a quarter of a century, there still is no authoritative explanation for why so many high-end audiophiles prefer tubes. Tubes not only refuse to die, they seem to be coming back. The number of US and British firms making high-end tube equipment is growing steadily, and an increasing number of comparatively low-priced units are becoming available. There is a large market in renovated or used tube equipment—I must confess to owning a converted McIntosh MR-71 tuner—and there are even some indications that tube manufacturers are improving their reliability, although getting good tubes remains a problem.

Kurt Sanderling died on September 17 in Berlin, just two days shy of his 99th birthday—of "old age," according to his eldest son Stefan. Sanderling was the last of a generation of conductors displaced by Hitler—an exodus that included Otto Klemperer, Josef Krips, Sir George Solti, Erich Leinsdorf, Bruno Walter, who all went West. (Never mind that Klemperer had converted to Catholicism and that Krips was half-Jewish.) Sanderling fled East, to the Soviet Union.