Nothing, seriously nothing, could have prepared me for the news that Neneh Cherry—Neneh “Raw Like Sushi” Cherry—is heading a new project with the powerhouse free jazz trio of Mats Gustafsson (saxophone), Ingebrigt Haker Flaten (bass), and Paal Nilssen-Love (drums).
It has been a strange winter. Now approaching what is formally known as spring, I’m not sure if we ever even made it out of autumn! Forty-five degrees Fahrenheit in the middle of February in New York City? What in the hell is going on?
Similar to how the seasons from 2011 to 2012 have melded together into the longest autumn, the shipping out of each issue of Stereophile becomes a blur as well. As I discussed in my last on newsstands March article, we are never really sure what month we are living in here at the Stereophile office, much less the month of the issue we are working on, except for when we are compiling April Issue. We always know when we’re working on the April.
Why’s that?
Editor's Introduction: One of the big industry stories of 1985 was the split, both personal and commercial, between the British Linn and Naim companies. Led by Ivor Tiefenbrun and Julian Vereker (footnote 1) respectively, both companies had started up in the early 1970s. Both men held similar views, both about the fat-cat complacency of British designers (which had led to a grievous sound-quality slump in the mid '70s), and about the system rethinking necessary for what some writers, unaware of the rigors of thought required by followers of that spiritual descendant of Fowler, William Safire, would term a "quantum leap" forward in sound reproduction.
The Moscow SessionsThe ecumenical collaboration between Sheffield Lab, the Moscow Philharmonic Orchestra, conductors Lawrence Leighton Smith and Dmitri Kitayenko, an imposing gaggle of businessmen and bureaucrats, and partial sponsorship by The Absolute Sound's Fund for Recorded Music, if somewhat short of epoch-making, is, nonetheless, a positive example of free enterprise and socialism bedding down together, liberally (pardon the expression) lubricated with glasnost. Art, we are told, is universal. It transcends philosophical, racial, political, and religious differences of opinion. Yet, despite the implied altruism of this international cooperative effort, the actual genesis of the project was essentially pragmatic, fundamentally bottom line.
Sunday, April 22, 2-5pm: The Los Angeles and Orange County Audio Society will hold its monthly meeting at Evolution Audio Video (5341 Derry Avenue #S, Agoura Hills, CA). The event includes presentations from Dave Kakenmaster, Western Region Sales Manager for GoldenEar, as well as Tony Weber, Sales Manager at Cary Audio, as well as a mega-raffle with stupendous prizes.
This year’s Ambassador, Iggy Pop, has this to say:
"Yes, son?"
"How are loudspeakers made?"
"Hmm...Maybe it's time we had a little talk. Follow me into the listening room..."
