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It's extremely hard to compare custom IEMs. Few users have more than one pair, so direct personal comparisons are rare. They can't be measured by InnerFidelity because they don't fit in the measurement head's ears. What to do?

Damn the torpedos, full speed ahead! In this review 5 InnerFidelity writers, blessed with the generosity of manufacturers willing to put their ToTL CIEMs through the ringer do a massive comparative review of 24 of the worlds best custom in-ear monitors.

Epic!

On March 27, 2013, Stephen Mejias blogged about the single “Love and Respect” from Danish electro-pop group When Saints Go Machine, which “features Killer Mike offering strong and exciting contrast to Nikolaj Manuel Vonsild’s delicate falsetto.” Although the track left him “wanting more,” SM admitted the restraint from both Killer Mike and Vonsild made his yearning a good thing.

In UNKWON’s remix of this track, the Danish DJ leaves yearning at the door, and unleashes an onslaught of sonic manipulations, big bass, and layered tambourines, handclaps, snares, and bells transforming the track from one of self-discipline to groove indulgence.

(It's worth noting up top that Sonny Rollins was declared "Emeritus Jazz Artist / Beyond Voting," which, though a bit of a cop-out, is sort of fitting.)

At the 2013 AXPONA in Chicago in March, Cool Cleveland asked JA for his thoughts on the state of high-end audio. His answers might surprise you.

Like a lot of other once-pure forms of American music, the blues today has become a swirl of influences, mixing folk, rock, rhythm & blues, and even Latin flavors into a music that its aficionados—that fervent contingent known as "blues nuts"—have grudgingly accepted as being a part of the music they adore. But if blues fans thought Hendrix or Stevie Ray Vaughan muddied the wellsprings of the Devil's own music, it'll be only a matter of time before rappers mix blues in with their beats, and then—horror of horrors!—dance music begins to "borrow" from da blues. Rather than resist these changes, blues fans should willingly embrace any new energies brought into the music; rather than ruin, these fresh ideas and passions may actually revitalize a musical form that many already see as a museum piece.