LATEST ADDITIONS

"Sensational" is an adjective far overplayed in "fine audio" circles (to borrow a phrase that Bob Levi of T.H.E. Show Newport Beach has been using). But I know of no better word to describe the jaw-dropping sound of a dCS/Boulder/Sony set-up at a May 4 demo in the Theater 2 room of Music Lovers Audio, San Francisco. With the assistance of a full complement of Transparent Audio cabling, save for an all-important active USB cable from Synergistic Research, the MacBook Pro/Audirvana-source system, featuring the Sony SS-AR1 speakers that so impressed Kal Rubinson in July 2011 was nothing short of sensational.

For me, the demo began when John R. Quick of Tempo Sales, distributor of digital equipment from UK-based dCS (Data Conversion Systems, Ltd.), ran up to me upon my arrival. Enthusiastically greeting me and my two remarkably well-behaved terrier mixes, Daisy Mae Doven and Leo Gleesun, he declared, "Jason, I have great news for you."

"I can hardly keep hold of the leashes, John," I said, quivering with anticipation. "Tell me, please, before I lose my grip."

"The new Synergistic Research USB Active SE cable blows every other USB cable I've tried out of the water. You've got to hear this thing."

On Wednesday May 8th, 2013, B&O announced the release of the H6 over-ear headphone ($399) and H3 in-ear monitor ($249). Long known as a lifestyle brand that embraces both excellent sound and excellent design, B&O’s H6 and H3s promise no different.

Nicolaj Shabtai, Category Manager for B&O Play, explained the products’ three priorities: "outstanding sound, design for life & style, and quality materials."

In today’s previous entry, I mentioned that Standish/Carlyon’s Deleted Scenes reminded me of Peter Gabriel’s early solo work. Fans of FX’s outstanding TV series, “The Americans,” will have noted that the season’s finale made fine use of Gabriel’s hit single “Games Without Frontiers.” That is, if those fans were already familiar with the song. I was not.

Is there a country that, per capita, has produced more major loudspeaker brands than Great Britain? The British brands that immediately come to mind are Tannoy, KEF, Bowers & Wilkins, Quad, Rogers, Spendor, Harbeth, Castle, Acoustic Energy, ProAc, Monitor Audio, Epos, Celestion, Lowther, PMC—and Wharfedale.

Simon Hewitt, Cambridge Audio’s Director of Marketing, visited Stereophile HQ to demonstrate the Cambridge Audio Minx Air one-box Bluetooth system. Hewitt says Cambridge Audio’s business is exploding thanks to the Minx Air. It makes up 15% of Cambridge’s current profits. Meanwhile, Cambridge is busy building more speaker lines as their fathering company, Audio Partnership, fades out mass distribution of Mourdant-Short.

Minx Air is currently available in two sizes, the Minx Air 100 ($449) and the larger Minx Air 200 ($599). It features Airplay, on-board Internet radio, and bass EQ that can be controlled via app. I played three synced Spotify playlist selections transmitted via Bluetooth from my iPhone. At the end, Hewitt asked, “What was that first track you demoed?”

You know what's fascinating? As digital audio technology matures, DAC design is not converging on a single most popular or overall best approach. Multiple design paths continue to thrive, new ones are still appearing, and each variation on the DAC theme has its adherents and side trails: bitstream, non-oversampling, upsampling, various filters, DSD playback options, and on and on.

Monday, January 14, was a difficult day for the abandoned amusement park that is my body. In the morning, I packed two Lamm ML2.2 amplifiers into their wooden crates and wrestled them outside for collection by some unlucky air-freight courier. After that, I backed up my car to the tiny front porch of our house so I could unload a pair of 1966 Altec Valencia loudspeakers I'd collected the day before: in excess of 100 pounds each, just like the crated Lamms, but considerably larger.