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One of the oldest names in US audio, Altec Lansing was building speakers for theaters and recording studios long before the introduction of the microgroove LP in 1948 (which date many see as marking the inception of high fidelity). Started in 1931 under the name All-Technical Services ~Corp., the firm later purchased another audio firm called Lansing Engineering, and merged the names. Altec's Model 604, one of the first true coaxial speakers, was adopted for home use by many early hi-fi buffs and, several permutations later, is still widely used for monitoring in disc-cutting rooms.

Update: Though John Atkinson will be recording the concert, Attention Screen welcomes audience members who also want to record it, provided they use battery-powered recorders.

On Sunday, May 19, at 1:30pm, Stereophile readers are invited to attend a very special recording concert. Over the last six years, my quartet, Attention Screen has released three CDs of improvised collaborative jazz on the Stereophile Recordings label. This particular concert will be unique in a number of ways. First, rather than playing grand piano, I'll be performing on the magnificent Ralph and Alice Greenlaw Memorial pipe organ at The Community Church of Douglaston, 39-50 Douglaston Parkway, in New York City's borough of Queens. Second, we will be featuring our newest member, trumpeter Liam Sillery, whose fourth CD, Phenomenology, was awarded five stars by Downbeat magazine in 2010. Finally, rather than performing improvised jazz, we will be playing nine newly composed jazz and classical works by the four individual members of Attention Screen. The pieces are designed to demonstrate the broad range of textures and colors the Greenlaw organ is capable of as well as spotlighting Liam Sillery's unique trumpet phrasing style.

For gamers, video games can instill a sense of purpose. They imbed the idea in their minds that any ordinary boy or girl can become a hero. On their second full-length record Endless Fantasy, Anamanaguchi recreate the quest of becoming something bigger than yourself.

John Atkinson and Stephen Mejias were unable to attend the Munich High End Show this year, so the call went out to the editors of Stereophile's sibling sites, AudioStream.com, AnalogPlanet.com, and InnerFidelity.com requesting a trip to Germany to provide a bit of coverage for the show.

Wait! What!? You want me to go to Munich? Oh baby, I'm totally IN!

What follows are my impressions of a handful of exhibitors that tickled my ears.

Stereophile celebrated 50 years of continuous publication in November 2012 and released its milestone 400th issue in May. The magazine remains committed to providing all audiophiles&#151young, old, enthusiastic newbies, and grumpy veterans alike&#151the tools necessary to get the very best from their systems and music libraries. To that end, we’ve bundled our hot-selling Recommended Components Collector’s Edition and our invaluable test discs into two neat and affordable Audiophile Essentials packages.

Of all the speakers I've heard through the years, the $3000 ProAc Response 2 (footnote 1) is definitely one of my all-time faves. One of the few high-end speakers at any price that sounds equally at home pumping out Prong as it does Puccini, the Response 2 blew me away with its incredible musicality and just plain "rightness." The Response 2 doesn't call strict attention to any one area of technical achievement, like so many Audiophile-Approved jobs, but just makes music so naturally and unforcedly that I hesitate, even considering its remarkable performance, to call it an "audiophile" loudspeaker. Yah, I dig the Response 2! So last year when ProAc introduced the Studio 100, a new affordable version of the Response 2, I got excited.

I know, I know—"NOT ANOTHER $%#$ SONUS $%#$# FABER REVIEW IN $%#$# Stereophile!!" In just the past two years or so alone we've spilled a pretty fat bottle of ink on this Italian speaker line: Martin Colloms reviewed the $12,500/pair Extrema (Vol.15 No.6) and $9000/pair Guarneri Homage (Vol.17 No.7); Jack English covered the $4500/pair Electa Amator (Vol.15 No.10); and Larry Greenhill wrote about the $1800/pair Minima FM2 (Vol.16 No.4). That's a lotta jizzatoni, so let me tell you right off the bat that when I called Italy a few months ago, speakers were the last thing on my mind.

I wanted shoes.