Vivid Audio Introduces Giya Cu Loudspeakers
KEF Debuts New Finishes for Blade One Meta and Blade Two Meta
Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Radiant Acoustics Clarity 6.2 | Technology Introduction
PSB BP7 Subwoofer Unveiled
Apple AirPods Pro 3: First Impressions
Sponsored: Pulsar 121
Sonus faber Announces Amati Supreme Speaker
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

The October Issue . . . and "Recommended Components"

Hitting mailboxes, newsstands, and tablets today, the 204-page October Stereophile, offers 36 pages of audio equipment reports and the revised and updated "Recommended Components" listing. Featured on the cover is VPI's Prime Scout record player, reviewed by Art Dudley, who also offers auditions of speakers from Burwell and Wharfedale. Herb Reichert reviews the AMG Giro turntable, John Atkinson report on his time with KEF's Reference 5 loudspeaker, Robert Deutsch lives with PS Audio's Memory Player, and there are reviews of amplifiers from Dan D'Agostino, Rega, and Linear Tube Audio.
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Thiel CS1 loudspeaker

666thielcs1.promo.jpgKentucky manufacturer Thiel has acquired a reputation for the coherence of sound presented by its range of distinctive, sloping-baffle, floor-standing loudspeakers. Designer Jim Thiel gives a high priority to linearity of phase response; as a result, he chooses to use phase-linear, first-order crossovers in his designs, the target response being the combination of electrical and mechanical filtering. As the out-of-band rejection is then only 6dB/octave, it places demands on his chosen drive-units to be well-behaved, not only in their passbands, but also outside of them. In effect, the loudspeaker has to be designed as a whole system, the interaction between the drive-units and crossover being considerable.
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Perfectionist Audio Components CPR IIIB/TIPS preamplifier

One never knows, do one? Within the past year, I've had six preamplifiers in my system for critical evaluation, reviewing four of them and using another two as references. I was getting pretty tired of listening for sonic differences among preamps, and I told JA that I'd prefer my next reviewing assignment to be something different, like a speaker or a power amp. He agreed, but said he'd first like me to review just one more preamp, the Perfectionist Audio CPR/TIPS, which had been waiting patiently in the review queue in Santa Fe. Well, one more wouldn't hurt. Sounded kind of interesting, anyway: a preamp with a battery-operated power supply!
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T.H.E. Show Anaheim Postponed to 2018

What was to have been the first Southern California-based T.H.E. Show organized without input from its late co-founder, Richard Beers, who died in 2016, has been postponed until 2018. The inaugural T.H.E. Show Anaheim, as the former T.H.E. Show Newport Beach is now called, was to have taken place September 22–24 at the Hilton Anaheim. The reasons for the late postponement are spelled out in a two-page letter to exhibitors, which was released on September 6 by Beers' close friend and long-time associate, Show President Maurice R. Jung.
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KEF's Jack Oclee-Brown Talks Loudspeakers

Last May, Jack Oclee-Brown, KEF's Head of Acoustics, visited John Atkinson's listening room to drop off and set up the KEF Reference 5 loudspeakers ($19,000/pair). (JA's review appears in the October Stereophile, which will hit newsstands and mailboxes later this week.) In this video, they discuss Jack's origins and the challenges of speaker design, as well as the genesis of the Reference 5.
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Recording of October 1978: For Duke

Bill Berry and His Ellington All-Stars: For Duke
Works by Duke Ellington
Bill Berry, cornet; Ray Brown, bass; Frankie Capp, drums; Scott Hamilton, tenor sax; Nat Pierce, piano; Marshal Royal, alto sax; Britt Woodman, trombone.
M&K Real-Time RT-101 (direct-to-disc LP).

This is to-date the best direct-to-disc recording I have heard. For once I can't complain about the high end being shrill or hard. The balances are excellent and the performances superior, with each member of the group getting his chance to show off. Marshal Royal's saxophone solos must be heard to be believed, Everyone present is obviously having a good time making music, which is the way it always ought to be but often isn't.

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