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George Russell was a major innovator in modern jazz: a pianist-composer-theoretician who profoundly influenced Miles Davis, John Coltrane, Gil Evans, and the "modal revolution" that propelled so much music of the 1960s and beyond. But he's largely been forgotten. He was also the leader of ensembles, big and small, on more than two dozen albums. A few of those albums are acknowledged masterpieces, but they too have been overshadowed by some of his acolytes' classics.

Before returning home from the EISA convention in Antwerp two years ago, I spent a quiet, relaxing afternoon in The Loft, a luxurious shared space reserved for first- and business-class travelers, presented by Lexus and Brussels Airlines.

In addition to surprisingly good food and free-flowing alcoholic beverages, some airport lounges contain some really useful traveler amenities, like private showers and beds. The Brussels/Lexus space went above and beyond. I thought I'd had too much to drink (which I had) when I peered into the room and saw a Mark Levinson audio system featuring the No.515 turntable that Harman introduced in 2017. It was Mark Levinson's first turntable ever, and it cost $10,000 without cartridge. It is still in production.

I'm waiting for a bypass.

My heart did not attack me. My arteries aren't clogged. I'm awaiting an electrical bypass to save my audio system's life.

All my earliest hi-fi memories involve tube amplification: as a young girl, staring at the tubes' glowing filaments and listening to music with my audiophile father. I was mesmerized by the glow of those tubes, too hot to touch, but even more so by the music, which often was classical or opera. How those tubes worked was a mystery to me, but I knew they played a big part in the magic coming from the speakers.

The BBC-designed LS3/5a monitor loudspeaker has been in continuous BBC-licensed production in various forms since 1975. During those 45 years, its popularity has never abated. I bought my first pair of LS3/5a's as a Badger kit from an ad in the back of Speaker Builder magazine.

In Re-Tales and in Industry Update, I've written about some of the ways the pandemic has accelerated changes in the hi-fi business. Government-mandated safety measures, the absence of audio shows, and a marketplace that was already changing have combined to force companies to get creative about how they reach customers, both to sell products and to provide service.

A few established dealers have closed or are preparing to. Some can no longer afford inventory. Some have just retired. Others, though, report that 2020 was an extraordinarily good year.

Žibuoklė Martinaitytė: Saudade
Lithuanian National Symphony Orchestra, Lithuanian Chamber Orchestra, Giedrė Slekytė, cond.; Gabrielius Alekna, piano.
Ondine ODE1386 (24/96 download). 2021. Aleksandra Kerienė. Vilius Keras, prods.; Evelina Staniulytė, Aleksandra Kerienė, Vilius Keras, engs.
Performance *****
Sonics ****½

Might this recording be too "out there" for some? I spent hours mulling alternative recommendations, my favorites being accordionist Ksenija Sidorova's captivating Piazzolla Reflections and cellist Nicole Peña Comas and pianist Hugo Llanos Campos's beautiful new recording of Latin American music, El Canto del Cisne Negro. Either would have been accessible in more obvious ways than Saudade, a collection of four recent orchestral and chamber works by Lithuanian composer Žibuoklė Martinaitytė.