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Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
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Sponsored: Symphonia
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Sponsored: Symphonia Colors

LATEST ADDITIONS

Plinius Audio SA-103 power amplifier

Audio reviewers are kinda slutty. Not sexually, of course, but in the way we promiscuously go through equipment. Like the most popular girl in school, or Tiger Woods, we have our choice of any hot thing we want, whenever we want it. Heck, reviewers don't even have to pick up equipment at bars or clubs: the stuff is delivered right to our homes. We use the gear for a few months, then send it packing once the next hottie comes over to play in our room.
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A Comparison of Beyerdynamic DT 880 32 ohm, DT 880 250 ohm, and DT 880 600 ohm Headphones

This story originally appeared at InnerFidelity.com

Back before the Sennheiser HD 800 broke the $1000 high-end headphone barrier and started a flurry of ground-breaking new reference cans, there were three staples for enthusiast searching for great sound: the Sennheiser HD 650 ($649.95 MSRP); the AKG K701 (now reincarnated as the Quincy Jones Q701; $399 MSRP); and the Beyerdynamic DT 880 ($313.95 MSRP). All three, in my mind, remain good value when properly chosen for your listening tastes. (HD 650 – warm and smooth, though somewhat lacking in detail; AKG K701 – articulate, but slightly hard; DT 880 – detailed with depth and air, but somewhat lacking weight through the mids.)

A rather cool and unusual feature of the Beyer DT 880 is that it is available in three different impedance values in order to give you better options in suiting them to your needs. I thought it would be fun to have a look at the three different versions, and evaluate their suitability to home, portable, and general use.

Read on for the techno-geekly details, but go ahead and skip to the summary if you just want the recommendations….

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Ambrose Akinmusire

Every few years, a young jazz musician comes along and sets off some buzz. Usually, the excitement soon cools—the kid can’t sustain the initial stir, he turns out to have more technique than depth—but now and then, it turns out there’s something really going on. In the past decade, Jason Moran has been the most prominent of these upstarts who’s the real thing. The latest, I’m pretty sure, is a trumpeter, just shy of 29 years old, named Ambrose Akinmusire.
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Axpona: the East Coast's Major Audio Show Starts Friday

Now in its second year, and almost double the size of its launch, AXPONA (Audio Expo North America) is set to make a major impact on East Coast audiophiles when it opens to the public on April 15. Sponsored by Stereophile, the annual show, which runs April 15–17 in the beautiful, centrally located Sheraton Downtown Atlanta, promises at least 70 exhibit rooms alive with gear from at least 250 individual manufacturers . . .
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The Entry Level #4

Dinner with Natalie and Nicole was still three hours away and, thanks to the Okki Nokki record-cleaning machine that I wrote about last month, I had a half-dozen newly cleaned LPs begging to be played. A gray and listless day had somehow blossomed into a clear, brilliant night filled with promise and anticipation. Outside, tattooed against the dark violet sky, a strange, enormous moon hovered over Jersey City, and flooded my listening room with enchanting white light. It was time to enjoy my new records and better acquaint myself with the Wharfedale Diamond 10.1 loudspeakers ($350/pair), and the only way to do that would be to compare the latter to a known quantity: the PSB Alpha B1 ($279/pair). John Atkinson had reviewed the PSBs in our May 2007 issue, and admired their naturally balanced treble and superb midrange. Soon after, the PSBs won our "Budget Product of the Year" award, and I could not resist the urge to buy a pair. I've lived happily with them ever since, most appreciating their ability to make sense of the densely arranged, sometimes poorly recorded noise- and psych-rock albums I tend to lust after. How would the Wharfedales compare?
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Recording of April 2011: Mozart Piano Concertos 22 & 25

MOZART: Piano Concertos 22 & 25
David Fray, piano; Jaap van Zweden, Philharmonia Orchestra
Virgin 5099964196404 (CD). 2010. Etienne Collard, prod.; René Möller, eng. DDD. TT: 66:04
Performance *****
Sonics *****

From 1782 to the end of 1785 were successful, fertile years in Vienna for Mozart. He was sought by the aristocracy and the upper classes as a pianist, teacher, and composer. Throughout this period—and the following year, during which he ran out of money—he composed piano sonatas, songs, marches, wind serenades, a horn quintet, Die Entführung aus dem Serail, arias, quartets, works for violin and/or viola, horn concertos, the C-minor Mass, symphonies 35, 36, and 38 (37 was written by Michael Haydn), piano concertos 14–25, Le Nozze di Figaro, and dozens of other works.

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The Erotic Downbeat of Wild Beasts

The elegant, languorous video for Wild Beasts’ “Albatross,” the first single from the band’s upcoming album, Smother, is filled with images that are like Wild Beasts’ music: surreal, delicate, physical, painful, and, at times, painfully lovely.

With its gentle dance rhythms, memorable melodies, and heavy, overcast skies, Wild Beasts’ 2009 album, Two Dancers, which was nominated for 2010’s prestigious Mercury Prize, continues to find a place near the front of my vinyl stacks. The girls like it, too.

Smother promises to fall even closer to my heart. From the press release:

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Wretches & Jabberers

In support of National Autism Awareness Month, McIntosh Laboratory and songwriter/producer J. Ralph have come together to create a spectacular new album, the original motion picture soundtrack to Academy Award winning director Gerardine Wurzburg’s Wretches & Jabberers. The feature-length documentary, in theaters now, follows the paths of two men with autism, Larry Bissonnette and Tracy Thresher, as they travel around the world determined to increase autism awareness and refine our ideas of intelligence.

From the film’s dedicated web site:

Growing up, Thresher and Bissonnette were presumed “retarded” and excluded from normal schooling. With limited speech, they both faced lives of social isolation in mental institutions or adult disability centers. When they learned as adults to communicate by typing, their lives changed dramatically. Their world tour message is that the same possibility exists for others like themselves.

Yesterday evening, I met with composer J. Ralph and McIntosh’s Global VP of Sales and Marketing, Linda Passaro, for an intimate listening session.

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The 2011 SSI: a Show of Shows

It was a really good show. That was the opinion of the people I spoke to at the 2011 SSI, including veteran as well as first-time exhibitors, and members of the public. Even the Trade Day, which in the past was not very popular, was busy enough that it felt like it almost could have been one of the public days. The Lifetime Achievement Awards ceremony was extremely well-attended, as the above photo illustrates. There was a kind of back-to-the-basics feel to the show, with a strong emphasis on music presented in two-channel stereo, and almost nothing in the way of surround sound. (Sorry, Kal!)
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