Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

TAVES Day 2

The Audio Zone Eliminator speakers ($8900/pair) have a distinctly DIY look, aimed at providing maximum performance with no concession to decor. Bass and midrange are both horn-loaded, the bass using a reproduction of the Electro-Voice DX-15 driver, the midrange a Selenium D330 compression driver, and a Fostex supertweeter. Claimed sensitivity is an astonishing 120dB. The Audio Zone Eliminator is built to order. Audio Zone also offers a variety of amps and preamps (active and passive), at what seem like very reasonable prices (eg, 50W Op-Amp Integrated, $1595), all made in Canada.

I'm a great admirer of Quad electrostatics. . .

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TAVES Day 1

Location, location, location. Although there are more factors that go into a successful audio/video show, unless the location and the venue are right, it's really an uphill battle. The organizers of the Toronto Audio Video Entertainment Show recognized that unless the show is in location that's convenient and has a venue that's attractive, only the most devoted audio/videophiles will attend.

They got it right by selecting the King Edward Hotel, a luxury hotel in downtown Toronto, with many restaurants nearby, and also close to theaters. All right, so parking is expensive, but the King Edward is steps from the subway, so it's easily accessible by public transit.

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The Surprisingly Good Logitech UE6000 and UE9000

This story originally appeared at InnerFidelity.com

Logitech has recently stepped up it's game in the world of personal audio with an entirely new line of Logitech UE branded products. There's plenty of muscle there to do the job well, the question is: Can a mouse company apply it with the finesse needed to really produce well balanced audio products?

Fortunately, Ultimate Ears is in the mix, and it seems to me the mouse has some pretty good ears now.

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Can You visYoualize Yourself Wearing Denon Headphones?

In late September 2012 from their headquarters in Bergen County’s own Mahwah, New Jersey, Denon Electronics announced the launch of their interactive visYOUalize Yourself website and mobile app as an accompaniment to their four headphone lines released in the summer of 2012. These four headphone divisions target offer clearly positioned models unified through product image and technological goals targeting four different sects of customers. Denon wants to know: which one are you?
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Sony SS-AR2 loudspeaker

A highlight for me of Stereophile's 2011 equipment reviews was Kalman Rubinson's report on Sony's SS-AR1 loudspeaker in July. I had been impressed by this unassuming-looking floorstander at the 2009 Rocky Mountain Audio Fest, when, courtesy Ray Kimber, I had used a pair for my "Loudness Wars" demonstration—and was equally impressed when I used another pair for a dem of my recordings at Massachusetts retailer Goodwin's High End, in summer 2011. The SS-AR1 costs $27,000/pair and combines a full frequency range with an uncolored, detailed midrange, sweet-balanced highs, and excellent dynamics. "The Sony SS-AR1 is an impressive loudspeaker," summed up Dr. Kal; "it brings the analytical capabilities of studio monitoring to the listening room." So when I learned that Sony had introduced a smaller, less-expensive version, the SS-AR2 ($20,000/pair), it took me less than the proverbial New York minute to request a pair for review.
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Breaking News: Erick Lichte's New Live Reference

On September 27, 2012, Stereophile Contributing Editor and choral conductor Erick Lichte was appointed Artistic Director of Vancouver's Chor Leoni Men's Choir, effective September 2013. Lichte previously served as the ensemble's Associate Conductor under founder and current Artistic Director, Diane Loomer, C.M. In that capacity, Lichte conducted the choir's close to 60 members to Europe this past summer, where they won 12 major awards at the 51st Seghizzi Concorso Internationale Di Canto Corale in Gorizia Italy.
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AudioQuest DragonFly USB D/A converter

"This product is an industry disrupter."

Thus spoke AudioQuest's Steve Silberman, VP of development, of their brand-new USB D/A converter, the DragonFly. "There are a lot of very good DACs out there," he continued. "There are even a lot of very good affordable DACs. But the problem is, people outside of audio don't want them: They don't want old-style components like that.

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From Ghastly to Gorgeous: Vencel Rebuilds a Koetsu Rosewood

Somewhere in Budapest, something very scary is happening. Somewhere in Budapest, something very beautiful is blooming. Stereophile forum user vencel has reposted images of his rebuild of a Koetsu Rosewood cartridge starting at its grim and crud-crusted beginnings leading to its careful reconstruction and finishing with a gorgeously refurbished cartridge glowing in the light. The gruesome details of death and deconstruction are told through haunting images, and then hope is reborn through the hard work of vencel and his team’s delicate re-coiling and cleanup. The story can be seen here in our forums. I’m sure vencel would be happy to answer any questions. Congrats to you and your team!
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Accuracy Is Not the Answer

Before 1982, when the Compact Disc arrived, I didn't love LPs. Analog was already very old tech, and while every trick in the book had been applied to turntables and LPs, they still wowed & fluttered at 33 1/3 revolutions per minute. Vinyl's deficiencies were legion: warped LPs were more common than truly flat ones; surface noise, clicks, and pops sang along with the tune; LPs rarely had perfectly centered spindle holes; inner-groove distortions popped up at inopportune moments; and each time an LP is played, its sound quality degrades, if only ever so slightly. The LP format? Imperfect sound forever.
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Recordings of October 2012: Nightclub & Modern Cool

Patricia Barber: Nightclub & Modern Cool
Nightclub
Premonition 90763-1 (2 LPs). Patricia Barber, prod.; Michael Friedman, exec. prod.; Jim Anderson, eng.; Bob Ludwig, mastering; Doug Sax, mastering (LP). AAA? TT: 51:20
Performance ****
Sonics *****

Modern Cool
Premonition 90761-4 (BD-A). Patricia Barber, prod.; Michael Friedman, exec. & surround prod.; Jim Anderson, eng. & surround eng. Robert Gatley, asst. surround eng. ADD? TT: 67:49
Performance ****
Sonics *****

Much as the music world at large supremely values so-called original compositions (as if . . . but then that's a discussion for another day), it takes a special talent to make a song written by someone else—in common parlance, a cover—your very own. Take Burt Bacharach and Hal David's "Alfie," from the 1966 film with Michael Caine in the title role. Recorded for the soundtrack by Cilla Black, and later cut by everyone from Babs and Bill Evans to the Delfonics and Sarah Vaughan—not to mention a pair of laughably bad versions from Cher—the song is nothing if not overexposed. Bacharach's own soaring arrangement for the film sticks in the world's collective head. For lesser performers, that alone would be more than enough to keep them well clear of trying to cover it.

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