Apple AirPods Pro 3: First Impressions
Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

Arc Iris's Moon Saloon: Super Proggy

On Moon Saloon, Rhode Island's Arc Iris, led by singer Jocie Adams, has discarded any traces of the Americana that was present on the band’s self-titled debut. The sheer amount of textures present on Moon Saloon is wonderful, an attribute abetted by an atmospheric digital recording and a decent LP pressing.
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Katz’s Corner Episode 13 - The Big Shootout: Audeze LCD-4 vs. Focal Utopia

This story originally appeared at InnerFidelity.com

In my previous episode, I threw down the gauntlet: Can the world’s best headphones hold up to the world’s best loudspeakers in a perfectly-treated room? Of course we know that headphones image completely differently from loudspeakers. The transient impact of transducers lodged on your ears is distinctly different from loudspeakers at 9 foot distance. The loudness ratios of forward and distant elements, direct and reverberant sound are also different between phones and speakers. But we certainly can compare the tonal accuracy of the two presentations.

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Vivid Video: JA Interviews Speaker Designer Laurence Dickie

This past weekend, John Atkinson and I attended the debut of Vivid Audio's new flagship speaker, the G1 Spirit, at a private home in Itasca, IL (to the west of Chicago.) The event was hosted by concert pianist and audio retailer George Vatchnadze of Kyomi Audio. Prior to the event's start, JA and Vivid speaker designer Laurence Dickie had a stimulating conversation about speaker design, focusing on the G1 Spirit loudspeaker.
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Al Jarreau Remembered

Does having commercial leanings make you a traitor to the purity of your art? Can you make money in music and still have integrity? These eternal questions came to mind upon the death of singer Al Jarreau. Often savaged by critics and fans for his success, Jarreau cut his own path and by the time he died, at the age of 76, of respiratory failure on Sunday, February 12, he'd had more than a few last laughs on his detractors.
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Bowers & Wilkins 805 D3 loudspeaker

I have had a long relationship with Bowers & Wilkins. The first B&W speaker I spent serious time with was the DM-6, the infamous "pregnant kangaroo," which was reviewed by Allen Edelstein in December 1977 and which I borrowed for a while after interviewing the company's founder, John Bowers. Ten years later, when I met the woman who was to become my third wife, she already owned a pair of B&W Matrix 801s, a speaker reviewed by Lewis Lipnick in December 1987.
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Auralic Altair D/A processor

Now that we've entered a world of post-disc audio (sorry, AnalogPlanet.com), audiophile streaming and file-playback products have appeared by the hundreds, and many companies are on their second, third, or even fourth-generation models.

The Chinese company Auralic Limited has been pushing bits around for seven years, releasing a half-dozen streaming and network devices. Their newest, the Altair, combines in a single package the functions of a DAC, streamer, and headphone amplifier with volume control, allowing it also to operate as an all-digital-system preamplifier. Just add power amp and speakers.

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Universal Music Group Goes MQA

On February 16, Universal Music Group and MQA announced a multi-year agreement that will encode UMG's huge catalog of master recordings in MQA. In the language of the press release, the agreement promises "to make some of the world's most celebrated recordings available for the first time in Hi-Res Audio streaming." UMG's labels include ECM, Interscope, Geffen, A&M, Capitol, Island, Def Jam, Decca, Verve, Blue Note, Virgin, and EMI.
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A Year of Dueling Shows

This year is not only one of fallout from the most divisive political campaigns of our time, but will also one of competing audio shows too close for comfort. Southern California will see dueling audio shows three months and 35 miles apart, and New York City and Washington, DC will host shows on consecutive weekends. While a proliferation of audio shows potentially presents plenty of opportunities for audiophiles to hear new gear, such conflicts ultimately limit which manufacturers can exhibit where, and can render some shows a poor value.
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Recording of March 2017: I Go Back Home

Jimmy Scott: I Go Back Home: A Story About Hoping and Dreaming
Eden River ERR-LP-01 (2 LPs). 2016. Ralf Kemper, prod., mix; Geoff Gillette, James Caruso, Sean O'Dwyer, Robert Kirkpatrick, engs.; Phil Ramone, mix prod.; Lawrence Manchester, Veith Semrau, mix. DDA? TT: 56:58
Performance ****
Sonics ****

In 1992, just before Christmas, I sent out 24 copies of Jimmy Scott's newly released CD, All the Way, to friends, musical and otherwise. Most did not respond, but the eight or ten who did were on fire. "What is this?" "Who is this?" "How did I not know about this woman until now?"

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Norman's Prize-Winning Play Plays on Record

Prepare for one of those wild, hold-on-to-your-horses rides that will send minds and sound systems spinning (and horses bolting). Andrew Norman's award-winning, 47-minute orchestral work Play (2013), plays with musician and listener expectations simultaneously while proceeding on a course barely predictable from its opening salvos. Somewhat reflective of the worlds of rock and jazz, with a language all its own and ideas far more developed, dense, and unpredictable than all but the most experimental and far out excursions, Play's visceral and cerebral appeal reaches far beyond the confines of genres and settings.
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