Peter Qvortrup and Adrian Ford-Crush brought a smashing Audio Note UK system to New Jersey, including the US premiere of the brand's TT Three Reference turntable ($63,000). It fed an AN-1S Sogon tonearm ($16,730), fitted with an IO I moving coil cartridge ($5586), then into an AN-S8 step-up transformer ($18,130).
The first thing to know about T.H.E. New York International Audio Show is that it’s not in New York. The three-day event, Oct 24–Oct 26, 2025, was held at the Hilton Hasbrouck Heights, a New York bedroom community available by train, rental car, or personal vehicle if coming from Manhattan. Your ability to get to the venue was anyone’s guess, as no directions were shown on T.H.E. Show’s website.
McIntosh, which is based in my home state of New York, has long been in my audio life. It was the "house sound" where I grew up. My parents' stereo system was powered by a pair of MC75 tubed amplifiers (fed by a Marantz 7B preamp, driving Bozak Concert Grand speakers). In my father's recording studio, McIntosh amplifiers powered the monitors.
Efficient and focused like the brand he represents, Technics business and development manager Bill Voss arrived in Hasbrouck Heights with a full array of Technics offerings including the direct-drive Technics SL-1210GME Master Edition turntable in a world debut ($TBA) and the recently released SL-50C compact turntable ($899).
The System Audio Legend 40.2 Silverback DS ($6414.84/pair including the WiSA Stereo Hub HT) is a floorstanding loudspeaker system of modest size, significant weight, and impressive solidity. Its sides are gently bowed . . . The appearance is cool and calm, with or without the grille.
At least three premieres, a number of rooms with glorious sound, and reunions with old friends both human and electronic distinguished my romp through the hallways of Warsaw's PGE Narodowy on the first day of Audio Video 2025 in Warsaw. Compared to other days I've spent at shows in Chicago, Munich, Florida, and Seattle, it was a pretty fine day.
Walking through any big art museum, even at a brisk pace, it's impossible not to notice how boldly each object wears the unique stamp of its time and place of manufacture. It doesn't matter whether the artist worked in Paris or Polynesia, in the 15th or 20th century. The force of the creator's persona, united with the constraints of the cultural system that supported the making of that type of art, determines the vibe the object emits. That vibe is what I'm hoping to grasp.
On my way to the Revox room in Warsaw's Sobieski Hotel, my mind wandered/wondered: If a voracious reader is a bookworm, is a tape enthusiast a tapeworm?
Earlier this year, it occurred to Robert Lucskai that he could combine his life-long love of high-end hi-fi with his expertise as a real estate agent. Thus his startup business Costa Soniqa ("Sound Coast") was born.