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Sundays customarily draw a smaller attendance at shows, but CAS's Sunday across from San Francisco International Airport was especially slow until, surprisingly, things speeded up shortly before the runway was in sight. Either lots of audiophiles spend their Sunday mornings in church, or they're too occupied with family, brunch with friends, or hangovers to get a move on before noon. Happily, things were not at all slow in the room shared by Burwell & Sons and Raven Audio . . .

Mincing no words, Audioengine's Brady Bargenquast declared, "Bluetooth usually sounds like cat shit. Therefore, when we designed our wireless B1 Premium Bluetooth music receiver ($189), which just started shipping last week, we did four things to ensure good sound quality and satisfactory listening . . .

In the beginning, there was . . . No, this is not a Bible study course, but I do wish to pave the way (with gold, I wish) to the Genesis Advanced Technologies room hosted by Gary and Carolyn Koh and Joe Pittman. Mostly exhibiting Genesis products, the system was headlined by the hardly small Genesis G2 Juniors ($85,000/pair), driven by Genesis GR1440 monoblocks ($22,000/pair), unheard Genesis Muse Server/DAC ($12,000), Genesis SMC-1 preamp (prototype model—$18,000) with Absolute Fidelity Balanced Interface ($5500 for 6 meters), Genesis phono preamp ($12,000), Genesis cabling, and a prototype Genesis Foundation Equipment Stand ($12,000).

On the evening before the California Audio Show opened, as I gazed at San Francisco International Airport and the beautiful stretch of San Francisco Bay directly in front of the Westin SFO, I thought to myself, "This area is already accustomed to a lot of high-decibel booming and shrieking. But I wonder if it's ready for the sounds that CAS has in store?"

The answer came in the form of what appeared to be a very healthy attendance for Day 1 of the show, and some of the finest sound I've ever heard at an audio show. (The California Audio Show runs through Sunday August 17.)

Whether or not they vote to be independent next month from the UK, Scotland has always been independent musically.

For its PerfectWave DirectStream D/A processor, featured on our September issue's cover, PS Audio took a different approach. Rather than using the usual off-the-shelf parts, designer Ted Smith used Field-Programmable Gate Array chips (FPGAs) to process DSD data without compromising the integrity of the music. Art Dudley takes the new DAC out for a test drive and returned impressed by what he heard.