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Because its sound proclaims "major significance," our coverage starts with the show premiere of Graham Audio's LS5/5f loudspeaker ($24,995/pair). Unveiled in Munich, albeit only in passive display, the speaker was designed by Derek Hughes, son of the late Spencer Hughes, founder of Spendor.

In just a few minutes as I write these words, T.H.E. Show returns for another installment at the Long Beach Hilton. Rumored to offer approximately 40 exhibit rooms plus untold stands in the Marketplace and Headphonium, it has drawn exhibitors from all over the United States and beyond.

Bruckner: Symphony No.7, Shostakovich: Symphony No.7, "Leningrad", Jonathan Berger, Harriet Scott Chessman: Mỹ Lai and Terry Riley: Autodreamographical Tales.

Cosmic American Derelicts: The Twain Shall Meet and Destroyer: Labyrinthitis.

I have never written about the ultraboutique reissues from the London-based Electric Recording Company. Pressed in quantities of 300 or so, each title sells out within days (or hours) of its release, despite a price tag of $400 or more. Why review what can't be had?

When an icon drops her first album in six years, you sit up and take notice. Bonnie Raitt made her earliest record a half-century and more ago, in August 1971. She was 21 and could easily have been carded; the face on the cover of Bonnie Raitt—that first album—has yet to shed all its baby fat.

Thanks to the customary high level of organization that has made Germany's High End Society such a central part of the audiophile industry, Munich High End 2022 was a resounding success. The industry-organized show attracted 19,767 visitors to the 28,000 square meters of halls and atriums it occupied in Munich's sprawling MOC Event Center.