Vivid Audio Introduces Giya Cu Loudspeakers

KEF Debuts New Finishes for Blade One Meta and Blade Two Meta

Sennheiser Drops HDB 630 Wireless Headphones

Sponsored: Radiant Acoustics Clarity 6.2 | Technology Introduction

PSB BP7 Subwoofer Unveiled

Apple AirPods Pro 3: First Impressions

LATEST ADDITIONS

Jana Dagdagan

Michael Fremer at Definitive Audio's Music Matters 12

Jana Dagdagan Mar 13, 2017

Last week at Seattle retailer Definitive Audio's 12th Music Matters, I got to watch one of Michael Fremer's legendary vinyl presentations. (If you have not witnessed Magic Mikey in actionhe will be reprising his dem at AXPONA in Aprilit is truly a must-see!) In this video, Mikey demonstrates the difference between record pressings by playing three different pressings of Nina Simone's debut album Little Girl Blue: the 1958 original; a Pure Pleasure reissue; and the Analogue Productions reissue.

Headphone Reviews InnerFidelity

AKG N90Q Noise Canceling Auto-Calibrating Over-Ear Headphones

Tyll Hertsens Mar 13, 2017

This story originally appeared at InnerFidelity.com

Oh my! What an extraordinary headphone. The N90Q represents the first real effort to deliver seriously good sound quality using DSP corrections. It's my feeling that in the long run this type of headphone may eventually be able to deliver a superior subjective listening experience compared with passive headphones of the same price. On the other hand, I also have a little saying, "The first one is usually the worst one." Seems to me the proper perspective here is that the N90Q will be a good indicator of where we're starting on the road to DSP headphones, and how far they're likely to take us in the future. Let's get to it!

News

Everything Mattered at Music Matters 12

Jason Victor Serinus Mar 12, 2017

The 12th annual Music Matters event, held at Definitive Audio's Seattle location on March 9, featured six complete systems plus an Auralic-driven headphone display and static Rega turntable corner. All but the silent display showcased recorded music in its finest light. By the end of the evening, it was clear why Music Matters has earned a reputation as the top retailer-sponsored audio event in the USA.

Robert Baird

Sun Ra Live at Inter-Media Arts, April 1991

Robert Baird Mar 11, 2017

Sun Ra recordings take time to absorb through the ears, heart, and brain. The emotional osmosis necessary to process his multi-faceted explorations, which most often fall under the heading of jazz, but are really a music unto itself, can take a while. Hence, after much listening to Modern Harmonic's 3-LP set, recorded in 1991 at the Inter-Media Arts Center in Huntington, NY and featuring the Arkestra in good form, it's time to declare this Record Day release a triumph.

News

It's Time for the April Issue...

Stereophile Staff Mar 10, 2017

...and "Recommended Components," fully revised and updated82k words in 43.5ppour April issue is 196 pages of audiophile awesomeness!

Interviews Jana Dagdagan

Reviewer Video Profile: Herb Reichert

Jana Dagdagan Mar 09, 2017

When we released the "Thoughts on CES 2017" video, we received an overwhelming amount of feedback from readers who were pleased to finally be able to associate faces to the writers they had long read and revered on paper.

This video attempts to capture the essence of Stereophile writer and audio industry veteran Herb Reichertat least as much as is possible in a 10-minute, streamed video.

Floor Loudspeaker Reviews

RSL Speedscreen II loudspeaker

John Atkinson Mar 09, 2017

RSL is the house brand of a California chain of retail stores, Rogersound Labs, that is part-owned by the leader of the RSL loudspeaker-design team, one Howard Rodgers. (Rogersound Labs also owns the Upscale Audio high-end store in north Los Angeles.) The range offered by RSL is unbelievably wide, with models addressing just about every market niche and price category. The Speedscreen II, however, is Howard's attempt to produce a true high-end loudspeaker at an affordable price. To the casual observer, the Speedscreen ($898/pair) appears to be a planar design; however, its shallow, braced enclosure houses moving-coil drive-units, and is a result of Howard's attempts to minimize the effect of cabinet resonances. "I always thought deep, narrow enclosures sound 'boxy'," said Howard when he visited Santa Fe last September, "and the wide but shallow cabinet seemed to be the best way to get a large internal volume without 'boxiness'."

Floor Loudspeaker Reviews

Unity Audio Signature 1 loudspeaker

Robert Deutsch Mar 09, 2017

For anyone who wants to be up to date on all the audio products available in North America, Audio's Annual Equipment Directory is an indispensable source of information. (So is the publication you're reading now, of course.) The 1992 Directory (aka Audio's October issue) arrived when I was finishing up the review of the Acarian Alón IV (see February 1993, Vol.16 No.2) and about to start seriously listening to the Unity Audio Signature 1s. As I leafed through the issue, I wondered how fledgling loudspeaker manufacturers feel reading the section on loudspeakers. According to the Directory, there are 329 makers of speakers (17 more than in 1991) producing no fewer than 2286 different models. How can a new loudspeaker manufacturer compete with the established makes and their marketing clout, brandname recognition, and economics of scale? You'd better have a really good productor be a genius at promotion.

Music and Recording Features

The Survivalists: Mosaic and Newvelle Records

Robert Baird Mar 07, 2017

One is a well-established reissue label, known the world over for its completist black boxes filled with beautifully remastered jazz recordings from the 1930s through the 1960s.

The other is a new label that records only new jazz, released in elaborate packages that include a poem and original artwork, not to mention transparent 180gm pressings, tying into the newly fashionable idea of a vinyl lifestyle.

In both cases, hope truly springs eternal.

Budget Component Reviews Stand Loudspeaker Reviews

Ohm Acoustics CAM 16 loudspeaker

John Atkinson Mar 07, 2017

I like Brooklyn. I even got married under the shadow of the Brooklyn Bridge! (Almost the exact spot where Cher's grandfather let his dogs howl at the moon in Moonstruck. And if you're ever in the Park Slope area, check out McFeeley's for brunch.) I could be forgiven, therefore, for having a soft spot for any Brooklyn manufacturer, including Ohm Acoustics. Except that the only Ohm model I have heard was the omnidirectional Ohm Walsh 5 (favorably reviewed by Dick Olsher in Stereophile in 1987, Vol.10 No.4, and 1988, Vol.11 No.8), and the omni principle is something that I have never found to work, or at least to give me what I feel necessary in reproduced sound. The Ohm Model 16, however, is one of three more conventional Coherent Audio Monitor (CAM) speakers intended to offer good sound at an affordable price: $300/pair