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LATEST ADDITIONS

Pre-Show Schmoozing

It's 6pm on Thursday night. Stereophile editor John Atkinson has proposed that we rendezvous in the lobby of the Hilton, secrete ourselves in a corner over a beverage of choice, and discuss how we three (John, Stephen Mejias, and moi) will cover the show.

Having covered shows with John before, and seen how many people come up to him to chat as he attempts to get from point A to point B, I had my doubts that we could somehow manage to talk undisturbed. Talk? We never even got that far. Conversation upon conversation began as soon as John hit lobby. Here, Bob Levi, President of the Los Angeles Orange County Audiophile Society (left), engages John in conversation as, right behind them, Jonathan Scull, PR man extraordinaire and former Stereophile Contributing Editor (second from left), and Dave Clark of Positive Feedback Online (second from right) do the same. Unseen are the many exhibitors who are staggering into the lobby after spending an entire day trying to get their equipment unpacked and positioned optimally.

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PrimaLuna ProLogue Premium integrated amplifier

Integrated amplifiers are hot. I don't mean in the literal sense—although having a preamplifier and stereo power amplifier in the same chassis usually results in higher running temperatures—but in the metaphorical one. Once viewed as the type of component that no serious audiophile would consider buying, integrated amps have made a comeback in popularity and prestige. Consider: the October 2006 "Recommended Components" issue of Stereophile listed 29 integrated amps, whereas the October 2011 issue lists 40. Stereophile's 2010 Amplification Component of the Year award went to an integrated amp, the Audio Research VSi60, beating out a host of heavy-hitter preamps and power amps. The 2012 Stereophile Buyer's Guide lists 400 integrateds.
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Doc Watson, 1923–2012

Arthel "Doc" Watson, one of America's greatest musical treasures, has died in Winston-Salem, North Carolina at the age of 89. A seven-time Grammy Award winner, Watson was known for his rich, unaffected singing voice, his apparently limitless repertoire of Appalachian folk songs, and a flatpicking guitar style that influenced a great many of his peers and inspired countless others to take up the instrument.
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