LATEST ADDITIONS

Audio Alchemy was relaunched again in 2015 with a stellar lineup of designers including Keith Allsop, Peter Madnick and Dusty Vawter. And it appears no expense was spared showing their product line up at CES. Occupying one of the larger suites, with co-exhibitor TAD, at the top of the Venetian only served to emphasize how compact the products are.

I've recently had a great run with Chord products in my system including the Hugo TT DAC and now the small-sized Mojo (mobile joy) headphone DAC. On the opposite end of the spectrum from the Mojo is DAVE which the company says is the most advanced DAC they've made so far.

The new Aurender A10 should be arriving this summer for approximately $5,000 and should cover just about all of your digital file playback and streaming needs. Inside will be a 2TB drive for storage and 120GB SSD cache to improve playback quality, with Tidal native as well.

On the back are both balanced and unbalanced analog outputs and USB, Ethernet and optical digital inputs. Formats handled include PCM up to 32/384 and DSD128.

Aesthetix's Jim White (above right), along with the company's distributor, Garth Leerer of Musical Surroundings, showed off the new, Aesthetix Saturn Atlas Eclipse monoblock amplifier ($25,000/pair). An evolution of a product first launched 10 years ago, the Saturn Atlas Eclipse sports super-matched output devices that effectively lower noise by 40%.

Boldly proclaiming that its new the Renaissance ESL 15 A ($24,995/pair) combines a 45" x 15" electrostatic transducer with dual 12" aluminum-cone woofers, dual 500W woofer amplifiers, bass and mid-bass level controls, and Anthem room correction, MartinLogan proceeded to mate it with excellent Constellation Audio amplifiers and MIT cabling.

Now this is an interesting one. Using the same Dan D'Agostino Momentum monoblocks ($65,000/pair) as in the Wilson Alexia/dCS suite in the Mirage, albeit with the new case work; the same dCS Rossini player ($28,499) and Rossini Clock ($7499) as in that room, and whose sound I know quite well because I've spent considerable time with the player in my own listening room; an even higher Opus level of Transparent Cabling than in the Wilson/dCS suite; and the not too shabby Dan D'Agostino Master Audio Systems Momentum preamplifier ($32,000), EgglestonWorks' Ivy Signature SE Reference Series loudspeakers ($155,250/pair) made an entirely different impression.

I've been variously enamored and critical of the sound of Acapella loudspeakers and electronics on previous occasions, but here, in a space I would have considered too narrow to be optimal, the German-handmade Acapella Cellini ($55,000/pair) sounded excellent. Never before shown at a US show, the Cellini stands out due to its hyper-spherical midrange horn. (The Acapella Violin, for example, has a spherical horn.) It also has Acappella's TW1 ion tweeter, and claims an overall frequency range of 28Hz–40kHz , and a sensitivity of approx. 91dB/W/m.