LATEST ADDITIONS

The first and only time I heard a live performance of Mahler's five-movement Symphony No.7, from Michael Tilson Thomas and the San Francisco Symphony, I left Davies Symphony Hall confused. The bad press that the 70+ minute work has received for over a century, mainly for its innate ambiguity, convinced me that it was, at best, a problematic work—one that Mahler might have eventually revised had he lived long enough. But after listening to DSD128 files of Iván Fischer and the Budapest Festival Orchestra's new recording of the symphony for Channel Classics, released March 29 in SACD format, I've come to consider it a somewhat shy flower that puts on a brave face and remains in the shadows until a strong conductor coaxes it into the light and convinces it to share all of its bloom and fragrance.

Magico's three-way A3 speakers ($CD13,000) were the first things I spotted when I entered Sonor-Filtronique's third room. I fondly remembered them from last year—in my 2018 report, I gushed over the sound of the A3s, then driven by Ayre electronics. Magico's most affordable model, the A3 has an enclosure made of 6061 T6 aircraft-grade aluminum, while their drivers boast diaphragms made of beryllium and graphene.

What would a Montreal show be without snow? The first day of the Montreal Audio Fest was bright and sunny, but as walked from my sleeping room to the ballroom to continue my reporting on Saturday morning, this is the sight that greeted me. "That's nothing," snorted native Quebeçois! (And I still find it weird to see trees growing on the top of a tower block—show venue the Hotel Bonaventure is 12 floors off the ground.)