Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Music in the Round #97: Hegel C53 and DSPeaker Anti-Mode X4

Sometime near the turn of this century, I wandered into a demo room at a Consumer Electronics Show and discovered, in the exhibit of a company I'd never heard of, an integrated amplifier that sounded clean and refreshing. It was the only product Hegel Music Systems displayed at that CES, and I don't recall its name or the associated equipment, but I've always remembered that model's striking appearance and impressive sound quality.
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Don Was: What Was Will Be

Don Was is a music lover. Looking at his extensive discography as a record producer and musician, one is struck by the variety of artists he's worked with: from Iggy Pop to the B-52's, from Roy Orbison to Elton John, with over half a dozen stops along the way as producer for a little band called the Rolling Stones. In 2017, Was produced Gregg Allman's final studio album, Southern Blood (Rounder 610005). And when you include all the music he's had a hand in since 2012, when he became president of Blue Note Records, you're talking about one busy little red hen helping to bake a lot of bread.
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Musicians As Audiophiles: Jed Levy

Tenor saxophonist, composer and hi-fi enthusiast Jed Levy is a perceptive musician and devoted music listener. Over the years, he's upgraded his hi-fi as funds have allowed, typically preceded by intense study of equipment reviews and equally persistent ear-twisting of audiophile friends, some in the industry, some not.
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Listening #197: Simon Brown & The Wand tonearm

There's a noise I make when I'm having trouble with something inanimate: a deep, growly huff that starts in my diaphragm and comes out in one or two quick, staccato bursts. I huff this huff when I drop a tool or can't budge a seized bolt or the bottom falls out of a trash bag. It annoys my family and scares my dog.

I made that noise at least a half-dozen times while installing and setting up the Wand, a unipivot tonearm designed and manufactured by Design Build Listen Ltd., in Dunedin, New Zealand.

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Honoring Hector Berlioz

It's 150 years since that quintessential French Romantic, Louis-Hector Berlioz (1803–1869), left the planet. A near-contemporary of the equally romantic Chopin, Gounod, Schubert, Schumann, Mendelssohn, and Liszt, Berlioz shared with Meyerbeer (1791–1864) and Wagner (1813–1883) a propensity to express his passions and fantasies in music that sometimes unfolded slowly as it extended drama to extraordinary lengths.
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Wilson Audio Specialties Yvette loudspeaker

Wilson Audio Specialties considers the Yvette ($25,500/pair) to be the replacement model for the Sophia Series 3. I would argue that the Yvette is an entirely different animal. There are obvious similarities between the Yvette and Sophia. Each is a floorstanding, three-driver, three-way design. Each comprises a single box with a separate internal chamber for each driver. The Sophia's woofer and midrange chambers are ported; the Yvette's are respectively ported and vented. The two models are about the same size and, from the back, look a lot alike.
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Verity Audio Monsalvat Amp-60 power amplifier

I first encountered Verity Audio's Monsalvat Amp-60 stereo power amplifier ($58,000) in October 2017, in one of the largest single-system rooms at the Rocky Mountain Audio Fest. After hearing the Amp-60 and Verity's Monsalvat Pre-2 preamplifier drive Verity's Lohengrin IIS loudspeakers ($133,000/pair), I enthused about the "most impressive range of colors and supreme sense of spaciousness" that contributed to the system's "absolutely beguiling" sound.
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Emotiva Audio Airmotiv T2 loudspeaker

Visit any consumer audio show these days and you'll see rooms full of systems costing from six to seven figures. Manufacturers like to put their best foot forward, and demoing systems with loudspeakers designed to sell for $50,000/pair and up (often up) seems an obvious way to go.

It's also common for an audio company to launch its flagship models first, and only later release more affordable products, for a wider range of buyers. The hope is that the promotional shine of the dream products will be reflected onto the budget models.

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