LATEST ADDITIONS

Danish audio company Dynaudio launched a new trio of Focus wireless speakers in Munich. The company's show presence encompassed a larger-than-average-sized room, with another off to the side. There, Dynaudio Technical Trainer Otto Jorgensen (below) gave a presentation on the new Focus active speaker series: the 3-way Focus 50 floorstander ($11,000, presumably for a pair), the 2.5-way Focus 30 floorstander ($8250/pair), and the 2-way Focus 10 stand-mounted speaker ($5500/pair). This series supersedes the previous Focus XD speaker line.

The German loudspeaker and cable manufacturer released its new Divin Sovereign Referenz Subwoofer ($29,500, with extra charges for special Black 24k Gold, White, and White 24k Gold finishes). Demonstrated with Göbel's Divin Marquis loudspeaker that John Atkinson reviewed in October 2020 and billed as the company's "ultimate benchmark," the active, DSP-controlled, closed-chamber sub includes an 18" driver in a resin-bound composite board cabinet with "massive acoustic baffles" of 75mm maximum thickness and extensive internal bracing. Weight is 145kg—that's almost 320lb—dimensions are nearly as major, frequency response is 10–200Hz depending upon DSP filters, and total output power is 2500W.

Ease was the order of the day in the Marten/Jorma room. Soprano Anna Moffo sounded just lovely, with superb air and open soundstaging, on an LP of her singing the "Jewel Song" from Gounod's Faust. Ditto for pianist Byron Janis, whose superb-sounding recording of Rachmaninov's Third Piano Concerto graced a prized Mercury Living Presence LP. Deserving of honor was Swedish manufacturer Marten's new Mingus Quintet 2 loudspeakers (€62,000/pair, equivalent to US$66,100). This replacement for the original Mingus Quintet boasts a new midrange driver, lower distortion, higher sensitivity, a new crossover, and a less resonant cabinet than the previous model.

The stylus that cuts the grooves in your favorite records is best described, in simple terms, as "chisel-shaped." The most accurate playback styli—the "extreme" ones that extract the maximum amount of information from the grooves—have a similar shape, with sharper and more severe contact edges than a standard elliptical stylus, itself an advance over spherical styli.

At a well-organized Munich press conference, Danish speaker company Raidho, now owned by Dantax, introduced the successor to the X1, the Raidho X1t Super Mini Monitor (€5800, presumably for the pair and equivalent to US$6210). The speaker is equipped with the company's planar-magnetic ribbon tweeter, which claims 50 times less mass than conventional dome tweeters; a 5.25" tantalum-coated ceramic-on-aluminum midbass driver, which claims to raise breakup modes to 15kHz; and a rear port. Frequency range is 70Hz–50kHz, impedance >6 ohms, sensitivity 85dB, and black piano and white piano finishes.

Great hi-fi can give you goosebumps. And it relates to another source of horripilation: live music, and its recordings. I've also always been a live music junkie—ever since I was a kid.

I was fortunate to have grown up attending the Cincinnati Symphony Orchestra and Cincinnati Pops Orchestra's "LolliPops" children's concerts. I'd seen some tepid live acts as a kid (ie, Donny and Marie). But nothing prepared me for my first rock concert. It, um, rocked my world.

Unless you live under a rock, you've followed Russia's invasion of Ukraine. You know something about sanctions against Russia and Russia's responses to those sanctions. If, in addition to not living under a rock, you're a tube-audio aficionado or electric guitar nut, you may have thought about a likely consequence of that war that's far less momentous than the destruction and carnage we see on TV: Will I be able to get new tubes for my amplifier? Especially those lovely Russia-made tubes.