LATEST ADDITIONS

How many adventurous rock'n'roll bands forged in the late-'60s/early-'70s would have been left by the wayside—or relegated to languish in perpetual cutout-bin purgatory—had it not been for the wide-open programming M.O. of stereo-loving FM radio stations? The Moody Blues could very easily have been one of those sidelined, notched-cover footnotes . . .

A common theme in this space in Stereophile is the need to reach new audiences and generate broader interest in the hi-fi hobby. At a time when traditional hi-fi buyers are becoming scarcer—as older generations pass on—the need becomes more critical to the industry's survival. Recently, two industry stalwarts—who both happen to be named Walter—have come together to form "an audio distribution and marketing superpower."

There's a scene in the 2002 movie The Pianist in which Adrien Brody's character, the Polish-Jewish pianist Władysław Szpilman, is hiding in the ruins of a Warsaw villa. The Nazi officer who discovers him asks what he did before the war. "I was a pianist," Szpilman stammers. The German points to a battered grand piano and orders him to play something.

Lately in this space I've focused on all things (rather, some things) analog. This month I return to digital, specifically to streaming. I love listening to records, but I also listen to a lot of streamed music. I'm a Qobuz devotee, since Qobuz is the most approachable streaming service and the friendliest to audiophiles.

G.F. Handel: Handel Arias, Lorraine Hunt Lieberson; Dvořák: Slavonic Dances; John Dowland/Henry Purcell: Songs of Passion; Beethoven: Piano Concerto No.4 In G Major, Sciarrino: Il Sogno Di Stradella; Mozart: Sonata in C, Andante with Variations, Schubert: Duo in A minor; Fantasy in F minor.

Jeff Tweedy: Twilight Override; Big Thief: Double Infinity; Blood Orange: Essex Honey; Tedeschi Trucks Band and Leon Russell: Mad Dogs & Englishmen Revisited, Live at Lockn'.

When it comes to phonography, I'm not terribly picky, but I do have preferences. I maintain my records well because I prefer to play clean records, with minimal pops, clicks, and crackle to distract me. I like a phono cartridge that tracks average platters perfectly and difficult sides at least very well.