Richard Lehnert

Jane Siberry: The Walking
Reprise/Duke Street 25678-1 (LP), 25678-2 (CD). John Naslen, eng.; Jane Siberry, John Switzer, John Naslen, prods. DDD. TT: 53:03

I came to Jane Siberry's music pretty late in the game. This is her fourth album, and the third released by a major label—No Borders Here and The Speckless Sky were released by Open Sky/Windham Hill a few years ago. Hadn't heard 'em (footnote 1). Didn't need to. On the basis of The Walking alone, it was clear Siberry is one of the most important singer/songwriters we've got.

Twin Sister meets Twin Peaks in the video for “Kimmi in a Rice Field,” from the band’s charming, soulful, and often lovely debut full-length, In Heaven. Like a real dream, the video, directed by Bryan Ujueta and Dan Devine and starring vocalist Andrea Estella, is sort of beautiful, sort of creepy, and sort of ridiculous.

The apparent demise of Audio Alchemy left a niche in the marketplace for a supplier of innovative, high-value digital components to provide the less-than-wealthy audiophile with state-of-the-art technology. Although Camelot Technology existed before Audio Alchemy went away, they have quickly taken over this niche with some interesting components. And I understand that some of the former AA technical personnel consulted for Camelot in the development of these products. (A recent press release indicates that Genesis Technology also played a major role in their design.)

This story originally appeared at InnerFidelity.com

It's not often one get's to set-up $37,000+ worth of the world's best headphone gear on the dining room table. I should do a little comparative listening test and report my findings, methinks.

Wasn't easy to write with all the good music going on in my head, though.

Stereophile editor John Atkinson has been honored by being invited to give the Richard C. Heyser Memorial Lecture at the 131st Audio Engineering Society Convention, held at the Jacob Javits Center in Manhattan. The Memorial Lecture was established in May 1999 to honor the memory of the famed audio theorist, engineer, reviewer, scientist at the Jet Propulsion Laboratory, inventor of Time Delay Spectrometry, and AES Silver Medal recipient. The Memorial Lecture has previously honored Ray Dolby, recording engineer Phil Ramone, futurist Ray Kurzweil, mathematicians Manfred Schroeder and Stanley Lipshitz, film sound pioneer and editor Walter Murch, Andy Moorer of Sonic Solutions and Adobe, Roger Lagadec, Kees Schouhamer Imminck, who developed the optical data-reading technology used in the CD, and acoustician Leo Beranek. The lecture will be at 7pm on Friday, October 21. The Convention program and details can be found here.

The Audio Research D-160B has been heavily modified since the D-160A, and uses the same technology as the D-70, D-115, and D-250. It embodies William Z. Johnson's latest transformer and power supply designs, his latest choice of capacitors and resistors, and the same independent regulation of screens, drivers, and front end. D-160s and D-160As can be converted to D-160Bs for $1500.

It says something for the state of technology that, after a quarter of a century, there still is no authoritative explanation for why so many high-end audiophiles prefer tubes. Tubes not only refuse to die, they seem to be coming back. The number of US and British firms making high-end tube equipment is growing steadily, and an increasing number of comparatively low-priced units are becoming available. There is a large market in renovated or used tube equipment—I must confess to owning a converted McIntosh MR-71 tuner—and there are even some indications that tube manufacturers are improving their reliability, although getting good tubes remains a problem.