Guy Lemcoe

Luxman D-105u CD player

The $1200 D-105u, the top of Luxman's CD-player line, is novel in its twin-triode vacuum-tube amplification in the analog output stage. This configuration is said to provide high linearity with low distortion and that hard-to-quantify musicality found in tubed products. In addition, the D-105u incorporates an anti-vibration laser pick-up mechanism and a high-mass magnetic disc clamper, the latter feature said to mass-load the disc center to minimize spindle-motor microvibration, thus improving tracking accuracy for lowest error rate.
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Rudresh Mahanthappa: The Time Is Now

An outburst of saxophone flurries sits you straight up in your chair. The tone is rich but with a cutting edge.

It has to be Rudresh Mahanthappa. The riveting cry of his alto saxophone is one of the most recognizable sounds in jazz.

But those darting runs coalesce into Charlie Parker's "Red Cross." So it can't be Mahanthappa, can it? He has made 15 straight albums of original music. He doesn't do covers, right?

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Sennheiser HE 60 headphones

In February 1994, when I reviewed the pricey ($12,900 with amplifier) Sennheiser Orpheus headphone system—HE 90 headphones and HEV 90 D/A processor/amplifier—I commented that the company had a similar, but less expensive, alternative available: the HE 60 headphones combined with the HEV 70 amplifier. At the headphone end, the HE 60s aren't so different from the HE 90s furnished with the Orpheus system. Both are extremely lightweight and supremely comfortable—even for long listening sessions (I logged up to four hours without a break on the HE 60s). In fact, the less-expensive HE 60s are about 100gm—4 ounces—lighter than the HE 90s.
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Andover Model-One turntable music system

Apart from the Beatles and Hendrix I heard in my audiophile father's basement, one of my earliest rock'n'roll memories involved a multipurpose record player at school. In third grade, six of us were moved as a separate group to a round table to watch a filmstrip in a darker part of a large, open-plan classroom. A clunky old record player in a self-contained carrying case with a half-dozen headphone jacks sat on the table.
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Ayre Acoustics K-3 preamplifier

The challenge for Ayre's Charley Hansen was formidable. Having already designed a world-class preamplifier—the highly acclaimed $7100 K-1 (see Wes Phillips' review in March 1997)—Hansen set out to offer audiophiles "80 to 90%" of the K-1's sound and build quality at a price more of them can afford. Not that the new K-3 is a piece of "budget" gear. It's not. But at $4500, the fully loaded K-3, complete with phono section and remote control, is within reach of many.
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HoloAudio May (Level 3) D/A processor

The email from Herb Reichert was intriguing. "I am, with great difficulty writing about HoloAudio's new two-chassis May DAC," he wrote. "It is death quiet and very natural. It makes every recording sound non-digital."

Once Herb had finished writing his review of the HoloAudio for the August issue's Gramophone Dreams column, I sped to his Bed-Stuy bothy and grabbed the May DAC, both to get it on my test bench and to take a listen for myself.

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Yamaha A-S3200 integrated amplifier

Yamaha: The name evokes memories of my youth when those much-coveted receivers were out of financial reach, leading me to rely upon entry-level Kenwoods and Pioneers and others that sounded worse. Everyone who ever had a cheap receiver blow up—that's what caused me to move from Kenwood to Pioneer—or heard an old Akai that made LPs sound like 128kbps MP3s, please raise your hands.
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