Art Dudley

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Art Dudley  |  Mar 27, 2017  |  2 comments
Saturday at the Montreal Audio Fest dawned snowy: a clear sign that God wanted us to stay inside all day and listen to music. So I made an early start and began my rounds at the Bluebird Music suite, where proprietor Jay Rein and I had the luxury of a mostly empty, pre-throng room in which to listen and catch up.
Art Dudley  |  Mar 27, 2017  |  2 comments
I entered the Oracle-Gershman room to the sounds of the Albinoni (or Giazotto, if you prefer) Adagio in g—from an LP that turned out to be by bassist Gary Karr—and the sound was gorgeous, with lots of texture (the good kind), color (ditto), and bass weight (very ditto).
Art Dudley  |  Mar 26, 2017  |  0 comments
One is bound to hear at any hi-fi show—even a superior one such as this—the live, acoustic version of the Eagles' "Hotel California," just as one is bound to hear, at any Catholic mass, a Hail Mary: no surprise at all, and under the best possible conditions the aural equivalent of comfort food. At the 2017 Montreal Audio Fest, I first heard it at the exhibit sponsored by France's Atoll Electronique—and it reminded me of Ian Anderson's gracious comment, when asked if he was dismayed at the undeniable similarities between that Eagles song and Jethro Tull's own "We Used to Know," from the album Stand Up: "[Hotel California] is a very, very fine song.
Art Dudley  |  Mar 24, 2017  |  2 comments
What better way to start an audio show than with live music? With that in mind, one hour before the official start of the 2017 Montreal Audio Fest, Canadian distributor Plurison hosted, in their capacious display room, a too-brief performance by cellist Vincent Bélanger and singer-pianist Anne Bisson. They performed a few selections from their new LP Conversions—a project that was sponsored by Lily Luo and cable manufacturer XLO.
Art Dudley  |  Mar 24, 2017  |  0 comments
There’s already one good bit of news out of the 2017 Montreal Audio Fest, which begins at 11am today and runs through 5pm on Sunday: reconstruction of the interior of the show’s longstanding venue, the Hotel Bonaventure—a project that was in full, noisy swing during last year’s show—has now been completed, restoring the Bonaventure’s glory in general and its superb bistro/watering hole in particular. It was there that I enjoyed a short pre-show encounter with the audio-industry luminaries pictured above (L–R): Jeff Joseph (Joseph Audio), Doug Schneider (Soundstage.com), Keith Pray (Stereophile), Meredith Gabor (Nordost), and Mat and Harry Weisfeld (VPI Industries).
Art Dudley  |  Mar 22, 2017  |  9 comments
On March 16, audio manufacturer Luxman Corporation, now in their 92nd year, announced the establishment of a new US subsidiary, Luxman America: the first time in 30 years that the Japanese tube-amp specialist has had a corporate-owned presence here.
Art Dudley  |  Mar 14, 2017  |  12 comments
On March 13, May Belt of PWB Electronics announced via e-mail that Peter W. Belt, the company's founder and her husband of many years, passed away on February 17. He was 87.
Art Dudley  |  Feb 23, 2017  |  7 comments
I wouldn't normally begin a review of an imported product with generalities about the culture from which it sprang, but this isn't just any imported product. It's a Scandinavian loudspeaker, and Scandinavian speakers are subject to a different and altogether more liberal set of rules.

For one thing, because they tend to be healthy and well educated, and because their governments are at peace and, for the most part, economically and politically sound, Scandinavians can take a joke. For another, Scandinavians are famous for not only having a loudspeaker industry—something that has thus far eluded Spaniards, Corsicans, Ethiopians, and the Maltese, among others—but also for the distinctiveness of the speakers they make. Like the Scandinavian people themselves, their speakers are intelligent, serene, uncompromising, outwardly serious and inwardly whimsical, outwardly tidy and inwardly complex, and a bit quirky.

Art Dudley  |  Feb 21, 2017  |  5 comments
In contrast with such line-level source components as DACs and CD players, record players generate a lower-voltage signal that requires extra gain from either a standalone phono preamplifier or the phono stage of another, more comprehensive component in one's system—typically, a full-function preamplifier or an integrated amp.

But when the phono cartridge of choice is a moving-coil (MC) type, which generates even less voltage than its moving-magnet (MM) and moving-iron (MI) friends, even more gain is required. This presents the user with an additional choice: he or she can select from among the many standalone phono preamps that offer sufficient gain, or augment an existing phono or full-function preamp or integrated amplifier with a phono step-up transformer, which boosts gain passively, without using tubes or transistors.

Art Dudley  |  Feb 02, 2017  |  13 comments
In Stereophile's January 2016 issue, I began a series of reviews of $10,000 CD players and transport-DAC combinations: an informal and serial survey, the goal of which was to gather, over time, the likeliest candidates for one's Last CD Player Ever. My choice of $10,000 as the target price was more or less arbitrary, although, in retrospect, that's about what I've invested in my go-to combination of turntable, tonearm, and pickup head—so, who knows? Maybe my subconscious was acting out.

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