John Atkinson

John Atkinson  |  Nov 14, 2020  |  20 comments
"Pints With Ayre," the series of videos produced by Colorado manufacturer Ayre Acoustics, has been regular viewing chez Atkinson during these pandemic times. Covering subjects like volume control design, amplifier gain stages, audio transformers, and listening tests, the series presents sometimes esoteric technical subjects in an easy-to-grasp manner.

In the latest episode of “Pints With Ayre,” I was invited to talk about a subject close to my heart, the how and why a review magazine’s reviews should be accompanied by measurements. You can find my current thoughts at the link in this article. I don’t think I gave too many secrets away!

John Atkinson  |  Nov 10, 2020  |  First Published: Aug 01, 1987  |  11 comments
Let me tell you how I spent the month of May 1987: I had been musing about a comment made by J. Gordon Holt following the 1986 Summer CES that it seemed that the loudspeaker High End was populated exclusively by planar models: Apogees, Acoustats, MartinLogans, Magneplanars of various kinds, the Quad ESL-63, and an assorted Infinity or two. The problem is, however, that folks as a rule buy speakers made from boxes; boxes priced a little lower than the esoteric beasts so beloved of reviewers. "OK," said Larry Archibald, "how about reviewing some moving-coil loudspeakers? Tell you what. Let's make it interesting; make them box loudspeakers costing under $1000/pair. It'll give you a feel for the kind of affordable speaker that sells in quantity."
John Atkinson  |  Oct 22, 2020  |  11 comments
Ever since I stopped using my Audio Research SP10 preamplifier in the early 1990s—its eight phono-stage tubes used to get too noisy too quickly—I tried a variety of standalone phono preamplifiers. Seeing the most service through the 1990s and 2000s were, first, a Mod Squad Phono Drive EPS, then a Linn Linto, both of which I purchased. But when I measured Channel D's Seta Model L, which Michael Fremer reviewed in the August 2010 issue, the Linto was pushed to one side. The battery-powered Seta L (footnote 1) had the lowest noise and distortion I had encountered in a phono preamplifier, and I eventually bought the sample I had been sent for a follow-up review in 2013.
John Atkinson  |  Oct 12, 2020  |  0 comments
Two of the followup reviews that were published in the November 2020 issue of Stereophile have been posted to the magazine's website: Herb Reichert on the Yamaha A-S3200 integrated amplifier and the measurements of the Denafrips Ares II and Terminator D/A processors.
John Atkinson  |  Sep 17, 2020  |  22 comments
Although it was founded by ex-Siemens loudspeaker engineer Oliver Göbel in 2003, I am embarrassed to admit that I had never heard of Göbel High End until I visited the room hosted by Florida retailer Bending Wave at the 2019 AXPONA. There, I listened to the German manufacturer's ginormous $220,000/pair Divin Noblesse loudspeakers, which were making their US debut. I was impressed by what I heard. I was interested, therefore, to learn that Göbel was introducing a smaller Divin model, the Marquis, which would not be too large for my listening room and would be priced at $80,000/pair.
John Atkinson  |  Sep 15, 2020  |  3 comments
Issue 54 of The Absolute Sound, cover-dated July/August 1988, had arrived in my mailbox. I had been warned that this issue contained a report from Stereophile's third hi-fi show, which had been held in Santa Monica the previous April. Although it wasn't listed in the issue's table of contents, I found the show report on page 186, written by Michael Fremer, who was listed on the magazine's masthead as "Senior Editor: Pop Mix."
John Atkinson  |  Sep 14, 2020  |  2 comments
When Stereophile publishes followup reviews of various kinds in the print magazine, we add the followup as a "child page" to the full review. That means that they don't appear on the website's home page and might get missed. The October 2020 issue included three followups: of the Boulder 2108 phono preamplifier, the Weiss DAC502 D/A processor, and the IsoAcoustics Gaia loudspeaker isolation feet.
John Atkinson, Wes Phillips  |  Sep 11, 2020  |  First Published: Dec 01, 1998  |  4 comments
For the seventh consecutive year, Stereophile has named a select few audio components the "Products of the Year." In doing so, we recognize those components that have proved capable of giving musical pleasure beyond the formal review period.
John Atkinson  |  Aug 28, 2020  |  55 comments
The email from Herb Reichert was intriguing. "I am, with great difficulty writing about HoloAudio's new two-chassis May DAC," he wrote. "It is death quiet and very natural. It makes every recording sound non-digital."

Once Herb had finished writing his review of the HoloAudio for the August issue's Gramophone Dreams column, I sped to his Bed-Stuy bothy and grabbed the May DAC, both to get it on my test bench and to take a listen for myself.

John Atkinson  |  Aug 20, 2020  |  22 comments
Loudspeaker manufacturer GoldenEar Technology was founded in 2010 by a team led by Sandy Gross, who over the decades was responsible for a succession of affordable high-performance loudspeakers from Polk and Definitive Technology (footnote 1). Gross continued that tradition with GoldenEar: Even the company's flagship, the Triton Reference, which I favorably reviewed in January 2018, was priced a couple of dollars short of $8500/pair. (GoldenEar was acquired by The Quest Group, the parent company of cable company AudioQuest, in January 2020; Gross continued with the brand as president emeritus.)

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