Robert Baird, Thomas Conrad, Andrey Henkin

50 Years of Blues at Antone's

Left to right: Clifford Antone, Doug Sahm, Albert Collins. (Photo Courtesy of Susan Antone.)

There have been venue owners who have been larger than life—Hilly Kristal (CBGB) and Doug Weston (Troubadour) come to mind—but few live-music club owners have ever lived in and for the music the way that Clifford Antone has.

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Rabbit Holes #18: Chrysalis Reissues Robin Trower's For Earth Below

Five decades later, even dedicated fans of former Procol Harum guitarist Robin Trower have had to admit that they appreciate his solo albums for more than just his guitar gluttony. To be sure, For Earth Below's title track and his other blues-rock jams, obviously influenced by both the tone and approach of Jimi Hendrix, are foundational for today's stoner-rock subgenre.
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Sly Stone, a Great, Recent Musical Loss

Super fans who dig deeper into a favorite artist's recording catalog eventually come to the crossroads of performance versus sonics. In the case of Sly Stone, who died this past June at age 82, that question has new relevance with the release on CD and vinyl of a "new" Sly and the Family Stone record, The First Family: Live at Winchester Cathedral 1967.
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Bruce Springsteen's Later-Career Back Catalog

Photo by Danny Clinch

Seeing Bruce Springsteen perform live in the 1970s and early '80s, pre–Born in the U.S.A., could be a life-changing experience. Bruce was the hungry leader of a relentless, turn-on-a-dime R&B band. A burning star streaking across the rock'n'roll sky, he threw his fiery young self into maximum shows full of urgency (to invoke one of his best rhymes) and those wordy, anthemic pleading/strutting urban fairy tales. He was leagues beyond almost everything and everyone else in those days.

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Best of the Blues—from Kansas

Chad Kassem knows what it takes to make an immortal blues record. "Somebody who lived down in Texas, Louisiana, Mississippi, the South. They lived through it. Their story is real, and their voice is real."

The founder/owner of Analogue Productions and longtime blues true believer, Kassem's record label, mail-order warehouse, and vinyl plating and pressing plant—all headquartered in Salina, Kansas—were recently profiled in The New York Times ("The Wizard of Vinyl is in Kansas," March 5, 2025). Among his many business ventures, Kassem is part of the new Craft Recordings vinyl-reissue series of titles drawn from the Bluesville catalog, which is owned by Craft's parent company, Concord Records.

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