Ken Micallef

Audiophiles are often misunderstood as mere hobbyists; in fact they hold a profound reverence for sound. Japanese jazz kissas, where vintage vinyl, turntables, tube amplifiers, and horn speakers have drawn audiences since the 1950s, exemplify this passion. Western audiophiles share a similar fervor, though our pursuit of sonic perfection often manifests in a more discreet, almost monastic, lifestyle.

Shinobu Karaki, a 65-year-old electronics designer, is the founder and chief designer of Japan's Aurorasound. A music lover first, an audiophile second, and an aspiring jazz and classical guitarist, Karaki crafts phono stages, step-up transformers, preamplifiers, power amplifiers, and integrated amplifiers for his Yokohama-based audio company.

Keith Haas and Rob Standley of Playback Distribution, PMC loudspeakers, and a gaggle of men in suits from Esoteric brought a big, banging, no-holds-barred system to Tampa.

Lone Mountain Audio’s Brad Lund, Aleks Bars, and old Hall Audio pal Leland Leard brought a minimal but effective rig to Tampa.

Under the leadership of Steve Jain, Fidelity Imports brings to market a selection of exceptional brands including Diptyque, Primare, Unison Research, Opera Loudspeakers, Gold Note electronics, Q Acoustics, and Acoustic Energy.

Lucca Chesky and Cambridge Audio’s Steve Novakoski presented the Chesky Audio LC1 Bookshelf Monitor ($498 each), which made a big splash at Capital Audiofest.

Located directly across from my berth 444, I fell out of my room and into 445, knowing not what was in there. I spied the handsome profile of Nexus Audio Technologies’ Walter Schofield, seated alone on a single padded chair, closely appraising a system of his own making. I grabbed a couple of donuts, poured myself a cup of Joe, and asked Walter to fill me in. He came out of his trance. “Ken!”

Michael Ochs of Upstream Audio in Deerfield Beach, Florida, brought a sweet rig to FLAX that included the new Clearaudio Unity tonearm, allied with the Clearaudio Reference Jubilee turntable that I reviewed for Stereophile back in June 2022.