Ken Micallef

In partnership with Playback Distribution, TEAC debuted its new AP-507 stereo power amplifier ($2799) early in the day, luring this reviewer with strong coffee and stronger specs.

There’s nothing like a new turntable to set my pulse racing. So when I first saw the thread‑drive, magnetic‑bearing Yukiseimitsu Audio AP‑01 ($31,975) at last year’s AXPONA, my jaw dropped, my scalp tingled, and my ears pricked up. It’s back this year in its new EM edition—still sleek, still strange.

At AXPONA, Steve Jain’s Fidelity Imports and UK-based Ruark Audio teamed up to present a stylish, musically satisfying system. Founded in 1985 on England’s south coast, Ruark is known for combining classic British design with forward-thinking engineering.

Sierra Sound’s Michael Fajen assembled a system that stopped more than a few showgoers in their tracks—built around not one but two turntables.

Tony Santos of Stereo Haven and Mike Pranka of Toffco brought a Well Tempered Lab turntable—a common sight in rooms with standout analog sound. In room 624, the Well Tempered Lab Amadeus, for which Pranka serves as US distributor, delivered a sense of musical ease and warmth.

Tom Vu founded TriangleArt in 1999, and he’s not about to let up now.

With the debut of the futuristic Hyphn loudspeakers ($95,000/pair), Monitor Audio and Chicago’s Saturday Audio Exchange made an unmissable statement.

John DeVore brings more than music to his rooms: he brings thoughtfulness, a sense of discovery, and superbly curated recordings.

High Water Sound’s Jeffrey Catalano could give a master class in room setup. A veteran of hundreds of audio shows, he not only presents exceptional-sounding rooms but also curates adventurous vinyl selections. I invariably leave his room with music titles scribbled in my notebook, like recipes for marvelous dishes.

In his review of the J.Sikora Initial turntable, Stereophile's resident artist/sage Herb Reichert wrote, "Extended bathing, lighting candles, making tea, and preparing food are ritual work forms that prepare my senses to accept both pleasure and illumination."

When it comes to playing records, I too have a ritual. It involves carefully cleaning the vinyl, first on a Pro-Ject VC-33, followed by immersion in a HumminGuru Ultrasonic vinyl cleaner. Before and after, I inspect the record's grooves with a pricey VisibleDust Quasar R magnifier. Only then—black coffee hot, glasses cleaned, stylus brushed free of contaminants, notepad at hand—am I ready to receive the messages ingrained in a shiny black vinyl disc.