Ken Micallef

Shayne Tenace is a cigar smoker, like me. So once we meet up at shows, we know smoke is in the works! But first, business.

Peter Qvortrup and Adrian Ford-Crush brought a smashing Audio Note UK system to New Jersey, including the US premiere of the brand's TT Three Reference turntable ($63,000). It fed an AN-1S Sogon tonearm ($16,730), fitted with an IO I moving coil cartridge ($5586), then into an AN-S8 step-up transformer ($18,130).

Sharing one of two HiFi Loft rooms with owner Jason Tavares, 2WA Group (led by Walters Schofield and Swanbon) showcased a system built around SPL components and Falcon Acoustics speakers.

The first thing to know about T.H.E. New York International Audio Show is that it’s not in New York. The three-day event, Oct 24–Oct 26, 2025, was held at the Hilton Hasbrouck Heights, a New York bedroom community available by train, rental car, or personal vehicle if coming from Manhattan. Your ability to get to the venue was anyone’s guess, as no directions were shown on T.H.E. Show’s website.

Efficient and focused like the brand he represents, Technics business and development manager Bill Voss arrived in Hasbrouck Heights with a full array of Technics offerings including the direct-drive Technics SL-1210GME Master Edition turntable in a world debut ($TBA) and the recently released SL-50C compact turntable ($899).

Way back in my ignorant youth I thought that Pablo Records, the label of jazz producer/promoter legend Norman Granz, was where jazz artists went to fade away, where they were put out to pasture. I thought the black discs inside Pablo's black-and-white jackets, which depicted jazz greats tracking sessions in their twilight years, couldn't compete with the music of younger jazz guns.

At 1am on September 17, 2025, Adam Wexler’s phone broke through his snores. He silenced the call and rolled over. Four hours later, the insistent ring jolted him awake. “When Ray, an amazing man who oversees the pier and runs everything around here, called me at 1am, I ignored it,” Wexler recalled, “though fire did cross my mind, because this space is entirely timber. Then my employee Robert Kapszewicz called, and I went to the warehouse at 5:30am.”

This past May, I stormed the halls of the international audio orgy High End Munich. My scorched-earth tour covered countless rooms, in pursuit of the holy grail of music playback. Among the finalists, a clear pattern emerged: With a few exceptions, my favorite rooms used horn-loaded speakers.

Imagine navigating the hectic rooms of an audio show at which a sea of similar-looking, similar-sounding gear blends into a predictable thrum, drawing a chorus of familiar nods. Then you stumble into the room occupied by Rich Pinto and his Treehaus Audiolab components. Here, the expected evaporates, replaced by designs that offer something different, both inside and out, sparking curiosity among jaded journalists and seasoned listeners.