Ken Micallef

While the upper floors at High End Munich were densely populated with manufacturer’s full-system demo rooms, smaller but no less worthy players filled stand space in the ground-floor Halles, from Halle 1 to Halle 4. Two such manufacturers were Remton Audio and Fonolab, both from Praque. They brought an array of analog-centric devices that had me drooling.

Austrian analog manufacturer Korf Audio introduced their new flagship series of ceramic tonearms, the TA-AF series, at High End Munich, including the TA-AF9 “premium tonearm” (€3200) on static display at their booth but also live on a TechDAS V turntable in the Engstrom room.

Zeiler Audio’s Ralf Zeiler took a stellar rig to AXPONA. I was very curious to hear his room at High End Munich.

The electronics of Borg.Audio’s Christian Gunther look like they're straight off the bridge of the Starship Enterprise. With their retro-futuristic visual style, you’re bound to either love or hate them. Though I didn’t hear them at Gunther’s static display, I’m already in the first camp.

Big components need a big room and a big man to explain it. Nick Döhmann talked turkey and then some regarding his new Döhmann Helix One Mk3 turntable ($70,000) with a new 10.5” Supatrac Nighthawk tonearm (£12,500), and Air Tight Opus 1 cartridge.

Jeff Joseph pops up in all the fashionable places, and when he does—whether it's at Capital Audiofest, AXPONA, or here at High End Munich—his sound is always stellar. Today’s lineup was consistent with the pattern

Air Tight Managing Director Yutaka "Jack" Miura was in Munich to introduce the new Air Tight Stereo Power Amplifier ATM-1 (price TBD).