As Stereophile managing editor Mark Henninger and I scurried up and down the Hilton halls, fulfilling our tasks as intrepid reporters, we had little time to compare notes. But we agreed on one room, Axiss Audio. In a room filled with exceptional gear, Axiss's Cliff Duffey and TJ Goldsby had set up a fantastic rig, well beyond the norm, which overachieved and set my ears afire. (Not literally.)
Angie Lisi and Matthew Legere of American Sound of Richmond Hill, Ontario, played vinyl records, after my heart.
Steve Jain's Fidelity Imports held fort in six rooms at FLAX, crisscrossing lines that included Perlisten, Primare, Michell, Unison Research, Diptyque, Opera, Soulnote, Gold Note, Q Acoustics, and more. Room 1016 was co-hosted by Chestertown, Maryland, dealership The Listening Room.
Shunyata Research’s Richard Rogers showed me one of my favorite rooms of the show, a smallish rig that made very biggish sounds.
An exploration of the artistry and expertise behind the Mediterraneo X is a journey through Italian craftsmanship.
High End by Oz's Ozan Turan was showing beautiful equipment in the Kennedy Room, including an Esoteric X-05 CD/SACD Player ($12,000), Thrax Audio Maximinus Silver DAC ($38,500), Viva Audio Solista MK II class A 22Wpc integrated amplifier ($29,500), and Lansche Audio Model 5.2 speakers in white ($57,000/pair). Hifistay Mythology racks ($6,500) held the gear and Albedo provided their Silver signal and power cables ($6,000–$23,000) and a S.I.N. Audio PSD Unlimited Power Distributor ($23,500).
Suncoast Audio, a Sarasota-based dealership, was new to me, and boy, did it deliver: Four rooms, and each had serious buzz. Michael Bovaird, proprietor of Suncoast Audio and a cofounder of the Florida Audio Expo, put together rooms that played music that kept the room full, with knowledgeable support personnel (including Nordost's Seth Snyder) to answer questions.
Acora Acoustics' Valerio Cora, VAC's Kevin Hayes, and VPI's Mat Weisfeld are big dudes. They make big equipment. It makes big sound. Their assemblage at FLAX produced music that was more than big; it was overwhelming.
A simple, well-tuned system can outperform a megabuck system that's poorly set-up. That's easy to notice at a hi-fi show, where you frequently walk straight out of one room and into another. Do that enough times and you gain a powerful appreciation for the importance of effective setup and system tuning.
In the room shared by Gary Dews's BorderPatrol Audio, Greg Roberts's Volti Audio, and Peter Grzybowski's Triode Wire Labs, music flowed, immense of stage, fast of delivery, with heart-arresting texture, visceral verisimilitude, and dynamic fireworks.