Herb Reichert

Herb Reichert  |  Nov 06, 2019  |  8 comments
Look at the photo. What you see is a re-imagining of the original Quad ESL 57s by Dave Slagle of EMIA (Experience Music Intact Audio). The only thing that remains from the original Quads are the PVC stator parts rebuilt to original standards by Wayne Picquet of Quads Unlimited in Longwood, Florida.
Herb Reichert  |  Nov 06, 2019  |  0 comments
American Sound distribution presented three rooms featuring Avantgarde horn loudspeakers, and, in the two rooms I visited, Wadax digital products.
Herb Reichert  |  Nov 06, 2019  |  8 comments
I like speakers with dark wood finishes. My friend Sphere loves speakers painted red. My partner “bb” prefers blue ones that match her room. Tekton Design makes speakers in these and many other colors and finishes. Tekton speakers, though, also have many tweeters, which gives them a distinctive look.
Herb Reichert  |  Nov 06, 2019  |  First Published: Nov 04, 2019  |  4 comments
It pleases me beyond words when modestly priced audio components overperform immodestly.
Herb Reichert  |  Nov 05, 2019  |  First Published: Nov 04, 2019  |  13 comments
Two friends whose taste and hearing I respect—and who visited every room at this show—told me they thought the $35K/pair MC Audiotech Forty-10 loudspeakers made the best sound at CAF. No question, these almost five-feet tall decorator-friendly midcentury-modern-looking beauties sounded even better they look, and they look very nice.
Herb Reichert  |  Nov 05, 2019  |  2 comments
Every time I encounter a system with Triangle speakers, I stop and take serious notice of their refined but lively sound. As I did Sunday in the room sponsored by The Antal Audio Group.
Herb Reichert  |  Nov 04, 2019  |  11 comments
I mentioned earlier how uncolored, detailed, transparent, and image-specific an open baffle loudspeaker can sound. Unfortunately, not all open baffle speakers are created equal, and making a coherent and musically satisfying open-baffle speaker is much more complex than just bolting a few drivers to a sheet of plywood. The question any loudspeaker designer must ask is, how far should I go? When is done right?

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