For John Atkinson and me, CES began with a trip to the Hi-Res Pavilion in the Las Vegas Convention Center's enormous Central Hall. John must have been a dog in a past lifetime, because his ability to find the booth in the middle of that huge glittering morass, which could be euphemistically characterized as high tech on steroids, smacked of a sixth sense.
Elac, which has been around for many more years than Andrew Jones has been designing speakers for them, has now released their Roon-friendly Discovery DS-S101-G music server ($1100), which allows you to play your own music files via an external HD or NAS
With Mytek's Michal Jurewicz in the background, the company's Chebon Littlefield showed the new Clef high-resolution, MQA-equipped, Bluetooth-equipped, mobile USB DAC/headphone amplifier ($299).
With Warner, Universal Music Group, and Sony as major shareholders/partners, it's no wonder that MQA figured so prominently in the CES Hi-res pavilion. MQA wasn't everywhereQobuz hasn't seen fit to embrace it as yet, and the majority of audio manufacturers have yet to get on boardbut it has certainly come to mobile phones and players.
Cecilia Bartoli is back. After far too long without a new "solo" recording venture, the phenomenal mezzo-soprano returned to the microphone this past March, three months before she turned 51, to record nine Dolce Duello (Sweet Duels) with the 1759 baroque cello of Sol Gabetta. Supported by Sol's ensemble, Cappella Gabetta, under the leadership of her violinist brother, Andrés Gabetta, the two women deliver one sweet delight after the other.
If the holidays are a time for fantasy, what better way to celebrate than with the first complete recording of David Del Tredici's (b. 1937) absolutely fantastic fantasy, Child Alice for soprano and orchestra? Based on the "Alice" adventures of Lewis CarrollAlice's Adventures in Wonderland (1865) and the sequel, Through the Looking Glass and What Alice Found (1871)the first part of Child Alice, entitled In Memory of a Summer Day, won the 1980 Pulitzer Prize in Music, and helped solidify the then 43 year-old composer's position as the foremost exponent of the Neo-Romantic movement in music.
A huge fuss was made over Aurender's first music server, the S10, when it premiered in 2011 at the California Audio Show. While I didn't feel that the room acoustics and setup were good enough at CAS to permit an honest appraisal, the looks and features of the S10 (now discontinued) thrust Aurender into the spotlight. So when John Atkinson, who had very favorably reviewed Aurender's N10 server in April 2016, asked if I would evaluate Aurender's new A10, the opportunity to serve so many audiophiles with a single review elicited from me an unequivocal "Yes!"
For those unfamiliar with the symphonies of Danish composer Carl Nielsen (18651931)that includes methe startling opening of his Third Symphony, "Sinfonia espansiva," will undoubtedly come as a shock. Its relentless pounding chords, played at an accelerating pace by the entire orchestra on the same pitch, may owe more than a little to Beethoven's Third Symphony, "Eroica," but their language is far more modern, and reflective of an era profoundly unsettled. Heard in high-resolution stereo (24/96 WAV) in the new live recording of Nielsen's Symphonies No. 3 and 4 from the Seattle Symphony, conducted by their Music Director Designate, Thomas Dausgaard, the symphony's opening volley seems calculated to catch us off guard, and convince us to listen with care to whatever may follow.