Thanks to the customary high level of organization that has made Germany's High End Society such a central part of the audiophile industry, Munich High End 2022 was a resounding success. The industry-organized show attracted 19,767 visitors to the 28,000 square meters of halls and atriums it occupied in Munich's sprawling MOC Event Center.
Music lovers (and reviewers) long for those listening moments when their entire being lights up with joy. For me, that divine spark surfaced unexpectedly one February afternoon when, late for an appointment, I dashed into the music room, searching for my keys. That's when I heard a bit of the 24/96 WAV files of this issue's Recording of the Month, conductor Andris Nelsons's mammoth survey of the complete orchestral works of Richard Strauss, which I'd cued up on repeat to help Meitner's MA3 integrated D/A converter ($10,500) settle in.
The Los Angeles and Orange County Audio Society (LAOCAS) has chosen John Atkinson, former editor-in-chief and now technical editor of Stereophile, as the winner of its 29th annual Founder's Award.
There are no accidents, eh? A chance meeting with Wilson-Benesch's Luke Milnes, followed by several email and WhatsApp check-ins, led me to my final exhibit at Munich High End. There, in a system that also featured Audionet products, reigned the 308lb Wilson-Benesch Omnium loudspeaker ($169,000/pair), second in command in the company's reference Fibonacci Series. Containing three pairs of isobaric-loaded woofers, two additional bass drivers, one midrange unit, and the Fibonacci tweeter, this hardly diminutive loudspeaker utilizes new bio-composite technology that replaces the carbon-fiber Monique enclosure technology Wilson-Benesch pioneered in 1994.
A happy 35,000-foot-high encounter with Jim Thompson and John Callery of EgglestonWorks led to the unveiling of the new Oso loudspeaker ($12,895/pair). Mated with the belated show premiere of the same Doshi Evolution monoblocks ($44,000/pair, below) that graced the cover of our May 2021 issue, as well as an Innuos Statement music server and J. Sikora turntable ($21,000 without armssee Michael Fremer's review in the forthcoming July issue), the speakers produced lovely sound.
Perhaps the folks at Estelon were being intentionally tongue-in-cheek when they wrote, on their website, "By elevating the act of listening to new heights..." about the new Estelon Extreme Mk.II flagship loudspeaker (200,000/pair) whose mechanical system enables multiple height and tweeter depth adjustments to ensure stable imaging. (It also intentionally isolates the upper drivers from the speaker's bass units.)
The briefest of visits to the dCS room in Munich revealed the Vivaldi One Apex ($95,000). Originally released as the Vivaldi One in 2017 to commemorate the company's 30th Anniversary, the MQA-friendly, single chassis, all-in-one network music player, CD/SACD transport and Master Clock, upsampler and DAC has resurfaced in new Apex form. Only 50 new Vivaldi One Apex units are available. The 250 owners of the original 30th Anniversary model can upgrade to full Apex status ($9000).
A chance encounter, in MOC's interconnected ground floor Expo Halls, with Santos (Santy) Oropel of Southern California's TWIN Audio Video led to an enclosed booth where Troy Audio's Acapulco loudspeaker (36,000/pair), an improved version of the 1960 Altec Santana, held forth. The speaker cabinets are built in Riverside, CA and Oklahoma City, OK by Great Plains Audio, and house the new GPA 415-8C Biflex driver with Alnico magnet and a modified Fostex supertweeter. The full-range reflex speaker, which has no crossover, is certain to appeal to vintage loudspeaker lovers, and equally likely to win over converts to the cause. If only the late Art Dudley were here to report about how it sounds.
One of those "OMG, it has been far too long" encounters with Kerem Küçükaslan enabled me to catch up on Nashua, New Hampshire-based Absolare's latest release, the Absolare Hybrid Stereo Power Amplifier, Signature Edition ($52,000). Using two 12AU7 or 12BH7 NOS tubes, the tube input and transistor output of the 73lb, dual-mono hybrid delivers 275Wpc into 4 ohms and maybe 175Wpc into 8 ohms.
When I reviewed the Moonriver 404 Reference integrated amplifier in the February 2021 issue, I noted that the then-recent fire in the AKM factory in Japan had left the company without chips for the unit's optional DAC. A year later, that issue has been resolved.