Jason Victor Serinus

Once again, VAC paired four of its amplifiers with Von Schweikert loudspeakers in a huge room sponsored by The Audio Company. Distinguished by sophisticated lighting design and fabulous sound, this system, which can fill rooms far larger than the Dutch & Dutch 8cs that so impressed me at PAF, vied with them for my personal Best of Show.

"Have you heard Dutch & Dutch? If you haven't, you must." Time and again, variations on that theme were voiced either by me or many of the attendees I chatted with at the show.

As far as I can recall, my encounter with the Dutch & Dutch 8c active loudspeakers ($15,000/pair) is the first time I have heard this company's offerings. (They've only exhibited at two shows.) I sure hope it will be far from the last.

It took two visits until this room got silent enough for me to get a handle on what was going on sound-wise. There was a lot going on, and it was not always easy to parse.

The big items of note were prototype Spatial Audio Lab open-baffle loudspeakers (price and release date TBD) that descend to 30Hz and two components from Don Sachs and Lynn Olson Design, the Statement 300B monoblock amplifiers ($18,500–$19,900/pair) and Raven preamplifier ($4600). Both products will be manufactured by Spatial Audio Lab later this year.

As much as I attempted to skip equipment we'd recently explored in Chicago, Munich, and/or Costa Mesa, my uncertainty about the intrinsic sound of CH Precision Series 1 equipment impelled me to check out their exhibit from greater Seattle dealer Audio-Ultra. While not everything in the system was from CH Precision—Ideon supplied the Absolute Epsilon DAC ($47,000), Absolute Epsilon Stream ($19,900), and Absolute Epsilon Time Signature V clock ($22,000), all of which complemented Aurender's N20 music server ($12,500)—there was sufficient CH Precision equipment in the chain to draw some conclusions.

In a room whose vintage TAD Evolution One floorstanders (NFS) attracted considerable attention, Wells Audio equipment delivered consistently fine, solid sound. Jeff Wells's room was also one of many I encountered that dealt with the hotel's lack of ethernet ports/wired internet by only playing 16/44.1 rips from CD.

For the second year in a row, the first room at PAF I entered was dominated by Dan Wright's ModWright equipment. Presented in equal partnership with Seattle HiFi, who carries all the components on active display, the room was headed by ModWright's new KWA 99 fully balanced, class-AB, compact MOSFET monoblocks ($7500/pair introductory price—normally $9000). Mated with the matching LS 99 fully balanced tube preamplifier ($6500 introductory price), the system produced extremely quiet, absolutely lovely sound. This was a great start to the show.

The Pacific Northwest's premiere/sole audio show, the Pacific Audio Fest (PAF), takes place today through Sunday June 25 at the Doubletree by Hilton at SEATAC airport near Seattle. Attendees, who judging by pre-registrants, could double or triple 2022's inaugural PAF attendance, will discover 41 active exhibit rooms, eight exhibitors in "Record Row," seven exhibits (from six companies) in the "Headzone," and at least nine booths (from eight companies) in the "Marketplace" at the other end of a large shared ballroom.