Jason Victor Serinus

As the second wave of registrants stood in multiple lines in the lobby of the Sheraton Gateway Los Angeles on the morning of Friday, June 2, the Los Angeles Audio Show was already off to a promising start. And what a promise it was. The night before show's open, when I encountered the force behind LAAS, Bob Levi of the Los Angeles & Orange County Audio Society, in a hotel elevator, he told me that pre-registration had already topped 7500 people. That number, it seems, has set new records for attendance at an audio show in Southern California. It also undoubtedly sets a pre-registration record for any first-time high-end audio show in the US that welcomes the general public.

For a first-time audio show, the Los Angeles Audio Show's (LAAS) June 2–4 stint in the Sheraton Gateway Hotel, adjacent to LAX, could very well move the bar higher for consumer audio show expectations. With 116 active exhibit rooms—participation was intentionally capped so that show manager Marine Presson could keep a handle on things during this initial run—348 brands and manufacturers, and a >8000ft² HeadGear Planet with 35 booths in the "affordable section" and another five in the "Xtreme section," this looks like it is going to be one helluva show.

Twenty-four years after The Hilliard Ensemble and saxophonist Jan Garbarek recorded Officium, the first of their three haunting, century-crossing collaborations for ECM New Series, Trio Mediaeval has done something similar with trumpeter Arve Henriksen. On their latest ECM New Series album, Rímur, the vocal trio of Anna Maria Friman, Linn Andrea Fugiseth, and Berit Opheim teams up with Henriksen to produce timeless versions of chants, hymns, folk songs and improvisations based on Icelandic, Norwegian and Swedish sources from earlier times.

Balance is certainly a lovely concept, as well as a lofty ideal. But achieving an optimal sonic balance in a high-end audio system—whose final sound is determined, in part, by interactions among any number of components and that great bugaboo, the listening room—while maintaining some semblance of psychic equilibrium can be the hardest goal of all.

In anticipation of this week's Munich High End, which takes place May 18–21, MQA has announced several breakthroughs. The first involves its hardware partners, who have expanded to include AudioQuest, CanEver Audio, dCS, Esoteric, IAG, Krell, Lumin, Mark Levinson, Moon by Simaudio, Pro-Ject Audio Systems, TEAC, and Wadax. These are in addition to its existing partners, who include Aurender, Bel Canto, Bluesound, Cary, NAD, Brinkmann, Meridian, MSB, Mytek, Onkyo, Pioneer and Technics. All of the latter are expected to demonstrate MQA at the Munich show, with yet others showing at the Los Angeles Audio Show June 2–4.

By the time we had finished the house tour and admired the quiet beauty of the fir-canopied neighborhood, we sensed that we would follow our hearts from unsafe and increasingly unaffordable East Oakland, CA to the serene hamlet of Port Townsend, WA. We also knew that the only suitable place for my reference/review system would be in the 22' x 22' detached garage