Jason Victor Serinus

In an extremely large 2nd floor room, products from two US distributors, Reference Components and Audio Skies, joined forces in a single, powerful all-analog system. Of special note, on the LP Paris, were the absolutely compelling soaring silvery highs that Hilary Hahn's violin produced as she flew through Prokofiev's first Violin Concerto.

Last year in Long Beach, PBN Audio's Peter Noerbaek was so eager to show what his humongous speakers could accomplish without distortion that he cranked up the volume far louder than the New York Subway System at its worst. As I thanked my lucky stars that I was some distance away from the huge room's doorway when the eruption occurred, a member of T.H.E. Show staff came running. "The glass walls on our office are shaking!" he yelled, as he made show policy clear. Only after that did I feel safe to enter.

This time, perhaps the fear of God or Ray Kimber's beneficent presence radiated so strongly through his Carbon, PK10 Gold, and D60 cabling that Noerbaek hung loose.

Once the volume was turned up, the fourth movement of Rimsky-Korsakov's Scheherazade filled Aaudio Imports' large space with exciting sound. Distinguished by appropriate bite and a solid midrange, the system also excelled on Ray Charles and Norah Jones' "Here We Go Again."

Together in one room, PranaFidelity's Steven Norber and E.A.R. USA's Dan Meinwald guaranteed fine sound from great and unusual music. "The Dhara speakers are finally finished," said Norber of a 40lb standmount ($7950/pair with stands), which includes dual 6" woofers and a 30mm tweeter, and boasts a frequency range of 38Hz–23kHz, a sensitivity of 88.5dB, and an 8 ohm nominal impedance.