Stop the presses! The wittiest of Stereophile's legacy posters, our very own Anton, has returned to the audio show realm. Once again ensconced in his unique NFS roomNFS stands for "Not for Sale"Anton has rented a penthouse suite at PAF in which to seduce showgoers with mood lighting, a vintage/homebrewed system, and lots and lots of hard brew (as in alcohol).
What a great way to start a show. I don't know what impelled me to choose my CD of Patricia Barber's Higher, but the combination of Constellation's smooth-talking Pictor line stage with DC blocker ($24,500) and DC filter ($8000) with the company's Centaur II 500 amplifier ($80,000) and Magico S5 MkII loudspeakers ($45,500/pair) was perfect for Barber's cool, no-nonsense presentation. This was one smooth, toned-down, ultra-clean system that all but guaranteed non-fatiguing listening for hours and hours upon end.
Trío Arriaga: "Elegie", Patricia Kopatchinskaja: Le Monde Selon George Antheil, R. Strauss: Macbeth, Don Juan, Till Eulenspiegel's Merry Pranks and Schubert: 21 Songs.
The Kingdom of Audiophiledom rests on a paradox. Inanimate audio systems and rooms aim to deliver music that animates our senses and touches our souls. The inherently lifeless exists to bring music to life.
This holistic realitythat systems and rooms function as living organisms where every part is interconnected and interrelatedcame home to me when, during one of the first AXPONAs in Chicago, I entered a long, cavernous basement room with several spongy "conference room" walls. "There is no way that any setup can deliver good sound in this room," self said to self. Yet, the system sounded unbelievably good.
Like an immense night bird aloft in the gold'n sky.
I should like to sail off towards islands of flow'rs
While list'ning to the perverse sea singing
In its old and bewitching rhythm.
It took some time to figure out why, in the middle of auditioning Rotel's Michi S5 stereo power amplifier ($7499.99) with the room-shaking opening of Richard Strauss's Also Sprach Zarathustra, Ravel's far subtler and perfumed setting of Tristan Klingsor's lyrics from Shéhérazade came to mind.
After a dozen years as General Manager of dCS Americas, well known industry veteran John Quick has joined Dynaudio North America with the title Vice-President for Sales & Marketing, Americas. Quick will work alongside Michael Manousselis, Dynaudio N.A.'s president, to develop and refine Dynaudio's sales channels, marketing efforts, and brand awareness across its home and professional audio offerings in the US, Canada, and Central and South America.
After I joined Emiko Carlin, Senior Vice President for T.H.E. Show, for our wrap photo op, she said, "What? You missed the opportunity to see MC Audiotech's new speaker?"
What the ever-delightful, tell-it-like-it-is and then some Emiko says, Jason does (within reason)...
First things first. This was one of the best-sounding rooms at T.H.E. Show. Given its sheer size, I have no question that some of the success was due to the various and sundry magical Synergistic Research accoutermentsI counted 10 so-called "Acoustic Room Treatment" devices and 5 Synergistic Power Conditioning devices (including Purple fuses)along with new Synergistic Racks (intended for internal use) and, no surprise, Synergistic Research cabling.
Given the legendary status of 300B tube-based amplification, this blog may surprise you. But in all my years at audio shows, I cannot recall more than one or two instances when I've been treated to a 300B-based product. If I'm wrong, then it's safe to say that those products did not leave a lasting impression. Since none of my audiophile buddies owns 300B-based electronics, that renders me, at this late stage of life, a 300B virgin.
Which made my half hour in the room sponsored by Oz Turan's High End By Oz even more enlightening...
Look into the faces of Jashan Bahl and Anmol. The boy, who is 5, came to the show with his dad because he loves music and instruments. He's wide-eyed, curious, and ready to learn. He is the future of high-end audio.