Munich 2019

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Herb Reichert  |  May 09, 2019  |  7 comments
The South Korean company Silbatone manufactures exquisite pure tube and hybrid audio amplification that's specifically engineered to be un-conventional, un-compromised, and un-affordable. About that last characteristic: It's un-affordable because it's not for sale—and everyone knows you have to pay extra for stuff that's not for sale. Right?
Herb Reichert  |  May 09, 2019  |  21 comments
The show wasn't open yet. The booths weren't finished being built. I was walking alone, and there were no audio people anywhere. But as soon as I saw it, I froze and pulled out my camera. It's not hammertone gray. It's not a grease-bearing. But it was here in front of me.
Jason Victor Serinus  |  May 09, 2019  |  1 comments
As someone accustomed to thinking of Auralic components as little boxes, the size and casing of their new Sirius G2 upsampling processor ($6000) suggests to me that the company is exploring new territory. It sure sounds that way from this product's description. Due late summer or early fall, the Sirius G2 is intended for placement between a streamer and DAC—any company's DAC—and is claimed to upgrade both "the processing power and the original performance envelope" of the DAC. Auralic's press literature says that by handling a DAC's data processing burden, the Sirius G2 "dramatically reduces the amount of distortion and jitter" of a DAC in its sweet spot, regardless of the incoming resolution of the file.
Jim Austin  |  May 09, 2019  |  2 comments
Just some tonearm sweetness from Thales. Photo taken through a window. Enjoy.
Jim Austin  |  May 09, 2019  |  17 comments
From my first room at High End Munich: Some actual news: A new SACD player from Mark Levinson.
Jason Victor Serinus  |  May 09, 2019  |  0 comments
When I entered the MSB room, a track from the JVC XRCD version of Sonny Rollins's Rollins Plays for Bird was transmitting all of the recording's smooth, warm, and sophisticated elegance. That last word isn't one I use often when describing high-end systems, but that's exactly what I experienced here.
Jason Victor Serinus  |  May 09, 2019  |  1 comments
As Michael Fremer, Paul Messenger, and I were searching for the High End press room, one of several echt German pop-up entertainments surfaced in the lobby. Whether taken as local culture or kitsch depends upon one's point of view . . .
Herb Reichert  |  May 09, 2019  |  7 comments
I'm sitting in the Alluxity room next to Joseph Audio's Jeff Joseph and wondering how his new graphene-cone Perspective2 loudspeakers ($14,999/pair) can sound so big and solid and transparent when they're so far apart. I'm looking for the hole in the middle, or at least a fuzzy-creamy center, but I can't find it. All I can "see" are the solid, accurately described voices of singers like Ella and Elvis.
Herb Reichert  |  May 07, 2019  |  10 comments
Leute, High End München 2019 ist der große Audio-Zirkus . . .

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