Munich 2019

Thanks to Michael Fremer, whom I ran into at the MOC while we both waited for the show to open on Day 3, I ended up at a private listening session in the PMC room. There, after Michael pulled out his video camera and engaged in a thorough, only-Michael-would-know-enough-to-ask-such-questions Q&A with PMC's Maurice Patist—it will appear at AnalogPlanet.com—we listened to two revivified tracks from Miles Davis's iconic Kind of Blue that have been given the full Dolby Atmos surround treatment.

The "Ocean Mystery" colored Estelon Forza loudspeaker (€110,000/pair) made quite a statement all by itself. Paired with a Kronos Pro turntable (€37,600) with SCPS1 power supply (€13,500), Black Beauty tonearm (€8400), and ZYX Universe 3 cartridge (€8100); Bassocontinuo racks; Kubala-Sosna Realization cabling; Audes ST-3000 power conditioner (€3900); and Furutech NCF Booster-Signal (€2780), it conveyed electric guitar with natural bite, relayed all instruments except Eugene Istomin's somewhat tinkly piano on the Reference Recordings' LP of Mozart Piano Concerto No.21 with natural timbres and a strong midrange, and, on my Channel Classics SACD of the Mahler Symphony No.2, nailed the great expanse and natural timbres of the Budapest Symphony Orchestra, along with some brightness on top.

Wonderful, truly musical warmth and clarity were the hallmarks of a system built around the Absolare Passion integrated amplifier ($26,500), ReQuest The Raptor Plus music server (1TB version with DAC that handles PCM up to 32/384, and DSD up to 256: $15,900), Rockport Atria speakers ($21,500/pair), Echole Limited Edition Power Center power conditioner ($20,000), and new Echole Infinity cabling ($TBD).

On static display: three products from Cary that just started shipping earlier this year.

Something really cool happened in the room shared by Grand Prix Audio of the US and Apertura Audio of France. For the first time, I witnessed a rack/support comparison that confirmed for me the importance of both for optimal system performance . . .

The new EMM Labs NS1 Network Streamer ($4500—the smallest of the three products in the above photo), due in two months, seems to be Ed Meitner's response to the dCS Network Bridge. The NS1 will decode up to 24/192 PCM and DSD 64 and fully unfold MQA, and is a Roon-ready endpoint. In addition, when connected via the company's proprietary Optilink to other EMM Labs products, including the DV2 Integrated Converter that received a rave when I reviewed it for Stereophile, the NS1 can be optically isolated from the network to reduce noise. The NS1's inputs include ethernet and USB; its outputs, in addition to the aforementioned Optilink, include AES and Toslink.