T.H.E. Show Newport 2012

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Scott Walker–Soulution–Magico

In their second room, Anaheim retailer Scott Walker Audio was showing Magico's Q3 floorstander ($38,950/pair) with the Soulution 700 monoblock amplifiers, hooked with Synergistic's cumbersome spaced-conductor speaker cable. Source was a Soulution 540 SACD player and a Soulution 700-series preamp. The Q3 was launched at the 2011 CES. A smaller derivative of the Q that Michael Fremer positively reviewed for Stereophile in November 2010, the Q3 uses the same proprietary beryllium-dome tweeter as the Q5 in the same type of space-frame enclosure, with a 6" Nano-tec midrange unit. The lower woofers roll off earlier than the upper one, to optimize the crossover to the midrange unit. Frequency response is specified as 20Hz–50kHz, sensitivity as 90dB, and impedance as 5 ohms.

Synergistic Research & Scott Walker Audio

"Let me turn off the Tranquility Bases and you'll hear what I am talking about," said Synergistic Research's Ted Denney.


I sighed inside. Ted had been subjecting me to the improvement on room acoustics wrought by his ART Acoustic bowls for the past few years and despite my skepticism, I kept hearing that improvement. Now he was talking about his series of Tranquility Bases. Ranging in price from $995 to $2995, these powered platforms have a ground plane and generate beneficial electromagnetic fields that are said to condition the signals passing through the components sitting on them and drain away the bad fields to ground. Yeah, right!

Thiel's CS3.7

The Thiel CS 3.7 loudspeakers ($12,900/pair) were making bright and incisive sound with PrimaLuna's ProLogue Premium monoblock amplifiers ($4395/pair), DiaLogue 3 preamplifier ($2700), and ProLogue CD player ($3000); PS Audio Perfect Wave II DAC with Bridge/NAS server ($4795) and P10 Power Regenerator ($4495); and Analysis Plus Oval speaker cable ($500/pair).

All I Want for Xmas is an MBL

Oh, Santa. Santa Baby. Dear Santa Baby. Please make that a Reference Line Combination D ($259,700 total). I won't even ask you to sit on my lap, if only you and Rudolph bring me a pair of MBL 101E Mk.II Radialstrahler speakers, along with an MBL 1621 A CD transport, 1611 F D/A converter, 6010 D preamplifier, and 9011 power amplifier. In snow white, please, just as in the photo. This same Combo platter received my hands up and down "Best of Show" at AXPONA 2012 in Jacksonville. Here it sounded almost as good.

YG—Luxman—Kubala-Sosna

In their 10th floor suite, YG Acoustics was driving their Anat II Studio Signature speakers with Luxman B-1000 solid-state monoblock amps via Kubala-Sosna Elation cables. Total cost of the system was an eye-watering $275,000, but I don't think I have heard Talking Heads' live "Psychokiller," from Stop Making Sense, sound as viscerally real, yet without strain nor grain. (Trying to reproduce this track at similar levels with an all-Mission system a quarter century ago, I managed to melt the amplifiers' output stages.)

Optimal Enchantment–Audio Research–Vandersteen

I don't have much to say about the sound in this room, produced by Vandersteen Model 7 speakers ($50.000/pair) driven by Audio Research Ref 250 tubed monoblocks ($20,000/pair) and an Audio Research Ref 5SE preamp, wired with AudioQuest cables, other than it was simply one of my best sounds at the Newport Beach Show (the others being the Magico S5 and the MBL 101E Mk.II, with the Wisdom LS4 and Luxman-driven YG Anat II Studio not far behind).


Source was a Basis Inspiration turntable and arm fitted with a Lyra Atlas cartridge—the complex mix at the end of Blood Sweat & Tears' "Spinning Wheel," played on an acetate cut by Bernie Grundman, where treble recorders contrast with the brass, was untangled in a most effective manner but without any spotlighting.

Constellation and the Magico S5s

A surprise was in wait for me as I sat in front of Magico's new S5 speaker ($28,600/pair) in The Audio Salon room at the Atrium Hotel. With the speakers driven by Constellation's Centaur 250Wpc amplifier—the amp in the photo is a dummy; the real one was behind me—with MIT cables throughout, Constellation's Peter Madnick selected a file on his iPad and told me I'd recognize the music. Indeed I did: it was Cantus performing Curtis Mayfield's "It's Alright," which I had recorded live in concert at Minneapolis's Southern Theater in May 2008. It had been released on a limited edition CD but I had completely forgotten I had given Peter a file of the final mixdown. Wow, the band was hanging there in space between and behind the speakers. And when the audience started clapping along with the music, they sounded above and to the sides of the speakers, as I had intended.

The Scaena Sensation

Scaena's imposing systems never fail to provide one of the highlights of the Show experience. Once the flashing light show on the VAC tube equipment was turned off, I was able to settle in and enjoy sensational sound through the Scaena Spiritus 3.6 System with Trifecta subwoofers ($130,000), VAC Statement 450 monoblock amplifiers ($78,000, presumably for the pair), VAC Signature MK2a preamp with phono option ($19,500), Audience Adept aR-12-TSS power conditioner ($10,000) and, for analog, the Kronos counter-rotating dual platter turntable ($28,000) with Graham Phantom Supreme 12" arm ($6000), Clearaudio Goldfinger Statement cartridge ($15,000), and Audio Research Ref phono 2 ($11,995).

MBL's Corona System

I still remember the chills that ran down my spine when I saw the band Rufus, with a young, slim Chaka Khan, performing "Tell Me Something Good" at a small English club more years ago than I care to recall. So when I went into the smaller MBL room at the Irvine Hilton and Jeremy Bryan started playing a live version of the same song, I got a similar thrill.

Cruising, Orange County Style

It may seem strange to introduce a huge show report—actually my final blog, since, in time-honored biblical fashion, the last shall always be first in the blogisphere —with a photo of a Bentley Mulsanne (over $400,000). But inside this gorgeously outfitted automobile, a machine that even closes its doors for you should you be too occupied trading stocks via iPhone to pull the handle, is a custom-enhanced sound system by Reus Systems of Orange. (It was part of the exotic car exhibition that was part of T.H.E. Show.)
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