SSI 2011

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Gunmetal glory from Raysonic

I’m not familiar with Raysonic, but their system sounded excellent: a large-scale presentation with good color and texture, elements of which may have been owing to the impressive-looking Raysonic Reference 26 mono tube amplifiers ($16,500/pair in Canadian funds). Each 180Wpc amp contains 12 Russian-made 7591AEH output tetrodes, configured for true balanced operation. (We were told that the loudspeakers, which bore the name Revolver, aren’t commercially affiliated with Raysonic.)

Gradient's Revolution

While visiting Gradient’s North American distributor, Simplifi, I listened to the current version of their classic Revolution loudspeaker ($7995), which had been favorably reviewed in Stereophile back in 1995. Earlier in the show I’d been impressed with the uncanny spatial realism in the MBL room; the interestingly shaped, dipolar Gradient Revolution was at least its equal in that regard. On one record, singer Willie Nelson was right damn there, and when someone in his band started giving hell to a tambourine, the effect was almost nerve-rattlingly real. What a cool speaker!

Music’s other Jorma

On my last day at the show I got to meet the founder and chief designer of Gradient, Jorma Salmi: a trim, quietly intense man with a boyish mop of hair. I introduced myself and complimented the originality of his designs; Dr. Salmi looked at me over the tops of his steel-rimmed glasses, smiled kindly, and said, “A little strange, aren’t they?” A moment later he quoted Becket, saying that, in his next design, he would “fail better.” What a cool guy!

Style and set with no frizzies

This was the first SSI without Nizar Akhrass, who passed away just weeks after the 2010 show. His distribution company, Liberty Audio (May Audio in the US) was in full force nonetheless, now headed by Nizar’s daughter, Julia—who’s expecting her first child in May—and son, Nabil. Liberty’s stalwart brands were all there, including Audes (whose Naum Dorkhman demonstrated a striking new full-range floorstander), Roksan, Target, GutWire, and Harmonix. Veteran audio salesman Michael Tang was on hand to represent the Japanese accessory specialists Orb Audio (they of the nifty DF-03 Disc Flattener, which promises to do what its name suggests). Among Mike’s newest products was the Orb Sakura Static Charge Neutralizer ($299), intended to neutralize unwanted charges more effectively than Robert Shapiro and Johnnie Cochran put together.

Peak Princess Pleases Press

I admit: I’m impressed that the Danish loudspeaker manufacturer Peak Consult has made such a name for itself in little more than a decade. (Adding to my surprise is the fact that “Peak Consult” does not, at first glance, seem to mean anything—although the name makes sense once it’s been explained.) Now Jay Rein and Bluebird Music, North American distributors of Chord and Exposure electronics, Spendor loudspeakers, and van den Hul cables, have taken on the line.

Audio Sensibility

To exhibit at CES, you'd better have deep pockets, and while, to a lesser extent, the same is true about exhibiting in the large rooms at SSI, the venue also permits small companies to set up displays in the nooks and crannies of the hotel corridor, with correspondingly lower price tags. Audio Sensibility offers a line of high-end audio and video cables that use Ohno Continuous Cast (OCC) copper and silver wire, Furutech connectors, cryogenic treatment of all wire and connectors, Mundorf silver-gold and supreme silver-gold solder, and their own custom-manufactured stainless-steel connector bodies.

SSI's Blue-Haired Staff

I don't know who came up with the idea of having the female SSI staff wear blue wigs—as they have been doing for the past two years—but I think the idea was a brilliant one. The blue wigs not only make the staff instantly identifiable, but they communicate a sense of fun, and that's just what the show is. It also helps that the staff are unfailingly pleasant and cheerful.

Record Buyers Aux 33 Tours

Although many (maybe most) of the demos at the 2011 SSI were computer-based, vinyl continued to have a presence, notably in the Aux 33 Tours room, which had an excellent assortment of LPs for sale. And not all the people showing an interest in LPs were old fogeys, as the photo illustrates.
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