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Mansour Mamaghani, founder and managing director of Audio Reference Munich (above), quietly commandeered one of the largest showrooms in the MOC's Atrium to present an impressive living color array of components that extended far beyond Wilson, D'Agostino, Perlisten, VTL, Nordost, VPI, and Krell. Although sonics were far from ideal during the press conference—VTL's pairing with Wilson and Nordost fared best—I finally got the lowdown on Krell's forthcoming 160lb. KSA-i400 power amplifier (below; $35,000 in stereo, or $70,000/monoblock pair) from Krell's COO, Walter Schofield. A matching preamp ($TBD) is in the works.

I went into a room looking for Lumin's latest components and found a broad range of gear, both classic and modern. The recently relaunched Mission 770 speakers demo'd in this room represent a prime example of heritage speaker revival. Behind this exhibit was International Audio Group (IAG), the company behind Mission and other British brands, such as Wharfedale, Castle, and Quad, as well as Luxman. Peter Comeau, IAG's director of acoustic design, gave me the download on the Mission 770 redux. He mentioned that he and John Atkinson had listened to 770 prototypes in 1978. (JA will be reviewing the new 770 in a future issue of Stereophile.) Comeau owned an original pair of the Mission 770s, so he knows all about them: "We used a lot of the same concepts but everything is now up to date to make them suitable for modern sources."

My first stop in the Munich High End venue's huge halls, or Halles, was a treat—and not only because the Hegel folks had a box of Norwegian chocolate hearts to taste. Hegel introduced a couple of new analog components, the Hegel Reference H30A Reference power amplifier and the P30A preamplifier, which supersedes the P30 preamp. Hegel CEO, founder, and lead designer Bent Holter (right) was on-hand along with Anders Ertzeid "VP of This and That" (aka VP Sales and Marketing, left) to share details. The amp and preamp are both analog designs—the A stands for analog.

In a room that vied for recognition as the hottest enclosed space on the hottest floor on the hottest day of Munich High End, 45-year-old Burmester Audio introduced its new CEO, Industrial Engineer Frank Weise, and at least four new products.

The German loudspeaker and cable manufacturer released its new Divin Sovereign Referenz Subwoofer ($29,500, with extra charges for special Black 24k Gold, White, and White 24k Gold finishes). Demonstrated with Göbel's Divin Marquis loudspeaker that John Atkinson reviewed in October 2020 and billed as the company's "ultimate benchmark," the active, DSP-controlled, closed-chamber sub includes an 18" driver in a resin-bound composite board cabinet with "massive acoustic baffles" of 75mm maximum thickness and extensive internal bracing. Weight is 145kg—that's almost 320lb—dimensions are nearly as major, frequency response is 10–200Hz depending upon DSP filters, and total output power is 2500W.

For elegance of presentation, the separate but related companies of Siltech and Crystal Cable have few peers. Given such care, it was near-impossible to resist peering further and investigating the two companies' latest offerings.

Vitus Audio, now in its 27th year, introduced its forthcoming entry-level RD-101 Mk.II DAC/Streamer ($15,000, release date TBD) at Munich High End. The unit sports a redesigned streaming module—the old one is obsolete—a newly optimized power supply, and significant noise reduction. There's also a new DAC chip, the ESS9038 Pro, which replaces the 9028 Pro.