Floor Loudspeaker Reviews

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ProAc Response D28 loudspeaker

Has any modern designer of high-performance speakers extracted more music from a two-way box than ProAc's Stewart Tyler? His early-1990s stand-mounted Response">http://www.stereophile.com/standloudspeakers/792proac">Response 2 (later upgraded to the Response 2S) was an instant classic, and while his tiny Tablettehttp://www.stereophile.com/standloudspeakers/0484proac">Tablette; proved controversial for being bass-shy and relatively pricey, his track record of two-way speakers remains unassailable.


Esoteric MG-20 loudspeaker

Audio shows are where reviewers search out products for possible review. We are always on the lookout—or listenout—for components that transcend the boundaries of the ordinary, that set the pulse racing a little faster. The 2007 Rocky Mountain Audio Fest, held in Denver last October, was the first RMAF I had attended, and among the rooms that impressed me was one featuring components from the Japanese brand Esoteric, which was celebrating its 20th anniversary.


Definitive Technology Mythos STS SuperTower loudspeaker

John Atkinson and I were in a Manhattan loft apartment that could have stood in for every sophisticated NYC loft you've ever seen in films. We were surrounded by fabulous contemporary art. Asian and South American antiquities were discreetly displayed. The furniture was sparse but choice. And, over in one corner, facing a conversation grouping of paintings, two sleek metal tower loudspeakers were making extremely convincing music. We managed to delay examination of this urban paradise long enough to drink adult beverages and inhale some music.


Avalon NP Evolution 2.0 loudspeaker

After a year spent exploring the best that can be obtained from minimonitor loudspeakers, I embarked on what will be an equally long examination of what floorstanding towers have to offer. I began with the Sonus">http://www.stereophile.com/floorloudspeakers/1207sonus">Sonus Faber Cremona Elipsa ($20,800/pair) in December 2007, followed in 2008 by: in February, the KEF">http://www.stereophile.com/floorloudspeakers/208kef">KEF Reference 207/2 ($20,000/pair); in April, the PSB">http://www.stereophile.com/floorloudspeakers/408psb">PSB Synchrony One ($4500/pair); and in May, the Magico">http://www.stereophile.com/floorloudspeakers/508mag">Magico V3 ($25,000/pair). For this review, I've been listening to a speaker aimed at those with shallower pockets than are required even for the PSB: the Avalon NP Evolution 2.0, which costs just $1995/pair.


Epos M16i loudspeaker

Last year, when Epos importer Music Hall contacted me about reviewing the then-new M16 floorstanding loudspeaker, I hesitated. I had been very impressed with the M16's little bookshelf brother, the M5 (see my">http://www.stereophile.com/standloudspeakers/405epos">my review in the April 2005 Stereophile, Vol.28 No.4), which I found uncolored, detailed, and a great value. Most of all, the M5 had an incredible balance of performance. But several times in the past, having been seduced by a wonderfully balanced bookshelf speaker, I've then been disappointed by one of its costlier, floorstanding brethren. The larger speaker might share the bookshelf's overall character, have deeper bass, and play louder with less strain, but too often that magical sense of balance that I had so enjoyed in the smaller speaker would be absent.


Revel Ultima Salon2 loudspeaker

Back in March 1998, Revel's Ultima Salon1 floorstanding loudspeaker generated quite a stir at Stereophile (Vol.22">http://www.stereophile.com/floorloudspeakers/96">Vol.22 No.3). Our reviewers were impressed by its seven designed-from-scratch drive-units, its ultramodern enclosure with curved rosewood side panels, exposed front tweeter and midrange, rear-facing reflex port and tweeter, and a flying grille over the mid-woofer and woofers. In the December issue (Vol.22 No.12), the Ultima Salon1 ($16,000/pair) was named Stereophile's "Joint">http://www.stereophile.com/features/178/index1.html">Joint Speaker of 1999" for its "big bass, timbral accuracy, low distortion, dynamics, lack of compression, and best fit'n'finish."


Magico V3 loudspeaker

The conventional wisdom in publishing is that magazines are dependent on scoops—that getting the news out to the readers first is of primary importance. Yes, being timely with what it has to say is important for any publication. But soon after I joined Stereophile in 1986, a series of negative experiences with review samples that were little better than prototypes led me to rethink the need for scoops. As a result, I decided to impose restrictions on what we chose to review; this would allow us to focus the magazine's review resources on products that were out of beta testing and were ready for prime time, and, most important, would be representative of what our readers could audition for themselves at specialty retailers, confident in the knowledge that what they heard would be what we had reviewed.


Listening #64

Today, as every Saturday, I brought my daughter to the stables where she has her riding lessons. But this time was different. As we pulled up the long gravel driveway, we found ourselves dodging a riderless horse, moving at a trot across our path. It turned out that the very cold weather had caused a latch to malfunction—"gate won't close, railing's froze"—and five horses had gotten loose.


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