Audio-On-Demand Gets Some Major Funding
Last week, Command">http://www.commandaudio.com">Command Audio announced $56 million in new funding from several media, technology, and venture capital companies for its audio-on-demand service. The company says that the new funding will help fuel the rollout of their entertainment and information service to major US markets in the coming year.
AudioBase Partners with Sony, etc. for Online Music Previews
If all goes according to publicists' wishes, Web surfers will be able to access music previews beginning November 15 without the necessity of using a third-party software player, such as RealNetworks G2, to play downloaded audio files. Streaming-audio provider AudioBase.comhttp://www.audiobase.com/">AudioBase.com; has signed deals with several heavyweight corporate sponsors for the launch of its music previews. Participants include Sony Music, K-Tel, and Levi-Strauss. The deals are being announced in conjunction with Internet audio conference Webnoizehttp://www.webnoize.com/">Webnoize;.
AudioCon-June in SoCal Saturday & Sunday
Following the last-minute cancellation of the 2018 Los Angeles Audio Show, scheduled to be held this coming weekend in Irvine, two Southern California audio retailers have stepped into the breach with AudioCon-June. Jason Lord of The Source A/V Design Group (3035 Kashiwa Street, Suite 101, Torrance, CA 90505. Tel: (310) 534-9900) and Sunil Merchant of Sunny's Components (1370 E. Cypress St, Covina, CA 91724. Tel: (626) 966-6259) are holding weekend-long free events. The events run 10am6pm on Saturday June 9 and Sunday June 10 and you can find full information here and here.
Audiophile Auction Wraps Up
Bill Leebens and Ole Lund Christensen, organizers of the Audio Asylum Asian Tsunami Victim Support Auction, announced today that the fund-raising drive will end Monday, February 28.
Audiophile Club of Athens Debuts Website
We recently received the following from Christos Skaloumbakas, President of the Audiophile Club of Athens, Greece. The ACA website is easy to navigate, with pictures and descriptions of members' systems---including listening rooms' floor construction and furnishings. Except for a few letters and opinion pieces, text is in clearly written English. The club is completely noncommercial, has no position regarding any of the usual audiophile controversies, and encourages open discussion. A love of music and a desire to share it are the only requirements for membership.---BW
Audiophile Delights
Audiophiles tend to be a fussy lot. But there are always a few sure-fire items that will put a smile on their faces without breaking the bank. We've got dozens of great ideas, guaranteed to suit every taste, available online (links are below) from our secure Web pages.
Audiophile Essentials Packages Now Available
Stereophile celebrated 50 years of continuous publication in November 2012 and released its milestone 400th issue in May. The magazine remains committed to providing all audiophiles—young, old, enthusiastic newbies, and grumpy veterans alike—the tools necessary to get the very best from their systems and music libraries. To that end, we’ve bundled our hot-selling Recommended Components Collector’s Edition and our invaluable test discs into two neat and affordable Audiophile Essentials packages.
Audiophile Experts Room at Montreal Audiofest 2026: Revox, Accuphase, Dali, Stable 33.33, Lumin
In his final update from Montreal Audiofest 2026, Robert Schryer caps off the show with his visit to Audiophile Experts Room, where he checked out a system that included a Revox B77 MkIII reel-to-reel machine, Accuphase C-3900S preamplifier, and Dali Kore speakers.
Audiophile Gold Among the 2006 Grammy Nominees
The 2006 Grammy nominations are in, and audiophiles have much to rejoice about. In a year when far too many pundits are sounding the death knell for the CD in general and high-resolution formats in particular, there's a bumper crop of great sounding, high quality recordings vying for a listen.
Audiophile Inroads at AES
You hear a dismaying amount of bad sound on the Audio Engineering Society (AEShttp://www.aes.org">AES;) convention floor. Tizzy high frequencies and mushy bass are more common than not, but encouragingly, good-sounding products tend to draw small crowds or generate a buzz among attendees.